Gauntlet Gallery
What is Shepard Fairey’s piece called “Nouveau (Red)”?
Artist Statement
NOUVEAU RED Screen Print 18 x 24 inches Edition of 200
Summary
Nouveau (Red) is a 2006 Shepard Fairey screen print published by Obey Giant in an edition of 200, measuring 18 x 24 inches. Issued as part of a two-color release available in Black and Red variants, the print applies Fairey's decorative, Art Nouveau-influenced ornamental framing to his signature graphic vocabulary. The Red colorway gives the design a warm, high-contrast presentation. Released at an original price of $30 as a standard-format screen print, it belongs to Fairey's mid-2000s Obey Giant output and reflects his recurring use of patterned, ornamental motifs alongside his pop-culture and propaganda imagery.
Why It Matters
Nouveau (Red) showcases the decorative, pattern-driven side of Fairey's design language, the strand of his work most indebted to Art Nouveau ornament, mandala-like symmetry, and the ornamental borders that frame so many of his compositions. While much of his catalog is built on confrontational iconography, prints like this foreground the craft and design heritage underlying his style, reminding collectors that Fairey is as much a graphic designer steeped in decorative tradition as he is a political provocateur. The two-variant release in Black and Red follows his characteristic practice of issuing color editions, and the relatively small edition of 200 makes this a contained release for 2006. For collectors, the Red colorway offers a warmer, more design-forward piece that pairs well with his ornamental and pattern-based works. The print sits within a productive mid-decade window when Fairey was issuing a continuous run of standard 18 x 24 screen prints through Obey Giant, exploring decorative motifs alongside his propaganda and pop-culture imagery. It rewards collectors interested in the formal, ornamental foundations of his aesthetic rather than his overtly political statements, and it documents the consistency of his decorative vocabulary across his print catalog.
Collector Perspective
This print appeals to collectors who favor the decorative, ornamental dimension of Fairey's work over his confrontational political imagery. The Art Nouveau-influenced framing and warm Red palette make it an elegant wall piece that pairs naturally with his mandala and pattern-based prints. The standard 18 x 24 inch size frames easily, and the smaller edition of 200 gives the Red variant added appeal for collectors building a focused, design-forward grouping. Buyers who collect by color variant may seek to pair it with the Black version. Those drawn to the craft and ornamental heritage of Fairey's aesthetic, rather than his agitprop, are the core audience for this release.
Historical Context
Nouveau (Red) belongs to Fairey's prolific mid-2000s Obey Giant period, when he was steadily issuing standard-format screen prints across decorative, pop-culture, and propaganda themes. By 2006 his ornamental, Art Nouveau-influenced design vocabulary, with its symmetrical framing and patterned borders, was a well-established part of his visual signature. The two-color Black and Red release reflects his ongoing practice of issuing variant editions, a strategy that runs throughout his print catalog. The work sits within the decorative strand of his output that complements his more overtly political pieces, predating his late-decade mainstream breakthrough and underscoring the design-rooted foundations of his style.
FAQ
What is the edition size of Nouveau (Red)?
Nouveau (Red) is a screen print issued in an edition of 200 by Obey Giant in 2006. It measures 18 x 24 inches, Fairey's standard print size, and is one of the smaller mid-2000s editions in his catalog.
What color variants exist?
Nouveau was released in two colorways, Black and Red. The Red variant offers a warmer, high-contrast presentation, while the Black version provides a starker alternative, reflecting Fairey's frequent practice of issuing color variant editions.
When was Nouveau (Red) released?
Nouveau (Red) was released on March 19, 2006, through Obey Giant, issued as a screen print at an original price of $30. It belongs to Fairey's steady run of standard-format prints that year.
What style does Nouveau draw on?
The print foregrounds Fairey's decorative, Art Nouveau-influenced ornamental framing, with the symmetrical, pattern-based motifs that recur throughout his catalog. It represents the design-forward, ornamental strand of his mid-2000s work.
Related Works
About the Artist
Shepard Fairey (b. 1970, Charleston, South Carolina) is an American street artist, graphic designer, and activist, and a graduate of the Rhode Island School of Design. His 1989 “André the Giant Has a Posse” sticker grew into the global OBEY GIANT campaign — an ongoing experiment in propaganda, obedience, and visual culture. He reached worldwide recognition with the 2008 “Hope” portrait of Barack Obama, now held by the Smithsonian National Portrait Gallery. Across screen prints, stencils, murals, and collage, Fairey channels propaganda aesthetics toward themes of peace, justice, environmentalism, and civil rights. His work is in the collections of the Museum of Modern Art, the Victoria & Albert Museum, and LACMA.




