Gauntlet Gallery
What is Shepard Fairey’s piece called “Revolution Girl (First Edition)”?
Artist Statement
The print is signed by both Shepard and WK, measures in at 18" X 24", is limited to an edition of 150
Summary
Revolution Girl (First Edition) is a 2007 screen print measuring 18 x 24 inches in an edition of 150, published by Subliminal Projects at $45. According to the source it is signed by both Shepard Fairey and the artist WK, marking it as a collaboration. The image centers on a young female revolutionary figure, joining Fairey's recurring revolutionary-women motif with a collaborative partner's contribution. The source supplies dimensions, edition size, price, publisher, and the double-signature collaboration detail; the visual concept centers on the revolutionary girl figure.
Why It Matters
Revolution Girl (First Edition) is notable on two counts: it is a documented collaboration, signed by both Fairey and the artist WK, and it was published not by Obey Giant but by Subliminal Projects, Fairey's gallery and creative platform. That combination distinguishes it from his standard Obey Giant solo drops. The double signature, attributed in the source to both Shepard and WK, makes it a tangible artifact of cross-artist collaboration, a category collectors prize for its rarity and its record of creative partnership. The image extends Fairey's recurring revolutionary-women theme into a younger figure, the revolution girl, reinforcing his consistent framing of female subjects as agents of resistance. Its edition of 150 is meaningfully smaller than the editions of 300 to 350 common among his 2007 prints, adding scarcity to its collaborative appeal. For collectors, the work sits at the intersection of two desirable threads, women-and-leadership imagery and verified collaboration, while also documenting the role of Subliminal Projects as a publishing outlet. That makes it a more distinctive entry in his catalog than a typical single-artist release of the period.
Collector Perspective
This print appeals to collectors who prize collaborations and works tied to Subliminal Projects rather than the standard Obey Giant channel. The documented double signature by both Fairey and WK makes it a record of creative partnership, attractive to those who seek collaborative pieces. Its revolutionary-girl subject fits women-and-leadership and resistance-themed collections, connecting it to Fairey's broader female-figure series. The edition of 150 is smaller than many of his 2007 releases, giving it added scarcity appeal. At an original $45 price and an 18 x 24 inch format, it remains an accessible original while offering the distinction of a cross-artist collaboration and an alternative publisher, both of which add interest for collectors building a nuanced view of Fairey's output.
Historical Context
Revolution Girl (First Edition) dates to June 2007 and was published by Subliminal Projects, Fairey's own gallery and creative platform, rather than Obey Giant. The source documents it as a collaboration signed by both Fairey and the artist WK, situating it within his practice of partnering with other artists. The revolution-girl subject extends his recurring revolutionary-women motif into a younger figure, reinforcing his consistent depiction of female subjects as agents of resistance. With an edition of 150, smaller than many of his contemporaneous prints, it marks a more limited collaborative release in the Posters and Propaganda era and reflects the role Subliminal Projects played as an alternative publishing outlet alongside the main Obey Giant operation.
FAQ
What is Revolution Girl (First Edition)?
It is a 2007 screen print published by Subliminal Projects, measuring 18 by 24 inches in an edition of 150 at an original price of $45. According to the source, it is signed by both Shepard Fairey and the artist WK, making it a documented collaboration centered on a young revolutionary female figure.
Is this a collaboration?
Yes. The source states the print is signed by both Shepard Fairey and WK, marking it as a cross-artist collaboration. This double signature makes it a tangible record of creative partnership, distinguishing it from Fairey's standard solo releases.
Who published this print?
It was published by Subliminal Projects, Fairey's own gallery and creative platform, rather than by Obey Giant. This alternative publisher, together with the collaborative signing, sets it apart from his typical Obey Giant drops of the period.
How large is the edition?
The edition is 150, per the source. That is smaller than the editions of 300 to 350 common among Fairey's 2007 prints, giving this collaborative release added scarcity at an accessible original price of $45.
Related Works
About the Artist
Shepard Fairey (b. 1970, Charleston, South Carolina) is an American street artist, graphic designer, and activist, and a graduate of the Rhode Island School of Design. His 1989 “André the Giant Has a Posse” sticker grew into the global OBEY GIANT campaign — an ongoing experiment in propaganda, obedience, and visual culture. He reached worldwide recognition with the 2008 “Hope” portrait of Barack Obama, now held by the Smithsonian National Portrait Gallery. Across screen prints, stencils, murals, and collage, Fairey channels propaganda aesthetics toward themes of peace, justice, environmentalism, and civil rights. His work is in the collections of the Museum of Modern Art, the Victoria & Albert Museum, and LACMA.