Gauntlet Gallery
What is Shepard Fairey’s piece called “Soundclash Of The Titans”?
Artist Statement
18 x 24 inch Screen Print Signed Edition of 450. Release Date: 04/22/08
Summary
Soundclash Of The Titans is a 2008 screen print published by Obey Giant, released April 22, 2008, in a signed First Edition of 450. The record lists it as an 18 by 24 inch screen print, with the dimension fields showing a 24-inch height and 18-inch width. Beyond these facts the source description is brief, noting only the size, signed edition of 450, and release date. The title and the record's theme signals point to a music-related, collaboration-and-pop-culture subject consistent with Fairey's faux album-cover and sound-themed work from this period.
Why It Matters
Soundclash Of The Titans belongs to Fairey's prolific 2008 run of music-themed screen prints issued through Obey Giant. The source provides limited description, but it does confirm a signed First Edition of 450 released April 22, 2008, placing it firmly within his music-and-counterculture output of that year. The title's reference to a soundclash, a term rooted in sound-system and DJ culture, aligns with the music influences that recur across Fairey's work and with his series of faux album-sleeve and music-tribute prints. For collectors, the piece is part of a recognizable cluster of 2008 music prints, and its value lies in that thematic grouping and the documented signed edition rather than in a detailed individual backstory. The relatively larger edition of 450 makes it a more accessible entry point into Fairey's music-themed collecting, suitable for buyers who want a signed screen print tied to his sound and counterculture interests. Because the source description is sparse, claims about its specific imagery should remain cautious, and the strongest documented facts are its medium, size, edition size, and release date.
Collector Perspective
This print suits collectors building a music-and-counterculture grouping of Fairey's 2008 output who want an accessible, signed screen print. The documented First Edition of 450 makes it one of the larger and more attainable editions in this cluster, appealing to newer collectors or those filling out a music-themed wall. At 18 by 24 inches it pairs naturally with his other 2008 album-tribute and band prints. Because the source description is brief, it is best suited to collectors who value the thematic and chronological fit within Fairey's music series rather than a deep individual narrative. It displays well alongside related sound-and-music prints from the same year and complements a collection focused on Fairey's musical influences and collaboration output.
Historical Context
This print is part of Fairey's busy 2008 schedule of music-related releases through Obey Giant, a period when he produced numerous band and sound-themed screen prints alongside his political work. The source dates it to April 22, 2008, and confirms a signed edition of 450, but offers little further context. Its soundclash title situates it within his recurring engagement with DJ and sound-system culture and his series of music-tribute and faux album-cover pieces. Within his arc, it represents the volume and consistency of his music output during the late 2000s rather than a singular milestone. With only sparse description available, its historical placement rests mainly on its date, format, and thematic alignment with the broader 2008 music-and-counterculture body of work from the OBEY studio.
FAQ
What is the edition size?
The source describes it as a signed First Edition of 450, published by Obey Giant in 2008. It is listed as a single First Edition without multiple colorways noted in the record.
What are the dimensions and medium?
The record lists it as an 18 by 24 inch screen print, with the height and width fields showing 24 by 18 inches. It is described as a signed edition with a release date of April 22, 2008.
What is the print about?
The source description is brief and does not detail the imagery. The title and the record's music-and-collaboration theme signals place it within Fairey's 2008 music-themed and sound-influenced work, but specific subject details are not stated in the source.
When was it released?
The record gives a release date of April 22, 2008. It is a signed screen print published by Obey Giant as part of Fairey's 2008 output.
Related Works
About the Artist
Shepard Fairey (b. 1970, Charleston, South Carolina) is an American street artist, graphic designer, and activist, and a graduate of the Rhode Island School of Design. His 1989 “André the Giant Has a Posse” sticker grew into the global OBEY GIANT campaign — an ongoing experiment in propaganda, obedience, and visual culture. He reached worldwide recognition with the 2008 “Hope” portrait of Barack Obama, now held by the Smithsonian National Portrait Gallery. Across screen prints, stencils, murals, and collage, Fairey channels propaganda aesthetics toward themes of peace, justice, environmentalism, and civil rights. His work is in the collections of the Museum of Modern Art, the Victoria & Albert Museum, and LACMA.