Gauntlet Gallery
What is Shepard Fairey’s piece called “Cost Of Oil”?
Artist Statement
18 x 24 inch Screen Print Signed Edition of 400.
Summary
Cost Of Oil is a 2008 Shepard Fairey screen print published by Obey Giant, measuring 18 x 24 inches in a signed edition of 400. The record provides only the standard release details, describing it as an 18 x 24 inch signed screen print. Its title points to the environmental and geopolitical theme of oil dependence, a recurring subject in Fairey's work, and the source associates it with both pop-culture and environment-and-climate themes.
Why It Matters
Cost Of Oil engages one of Fairey's most persistent concerns: the human and environmental price of fossil-fuel dependence. Although the record itself is sparse, the title and theme place the print within a long line of Fairey works critiquing oil, war, and corporate power, a thread that runs from his mid-2000s output into later mandala and crude-oil pieces. For collectors, that thematic continuity is the main draw, since Cost Of Oil reads as an early statement in a body of work Fairey would return to repeatedly. The signed edition of 400 is a standard Obey Giant run for the period, offering reasonable availability while retaining the appeal of a hand-signed screen print. Released in 2008 amid heightened debate over energy and the environment, the work captures Fairey's instinct to fold pressing political issues into bold, poster-ready graphics. Because the source description is limited, its significance rests more on theme and context than on documented detail, but it remains a coherent piece of Fairey's environmental-critique lineage and a recognizable touchpoint for collectors tracking that subject across his catalog.
Collector Perspective
This print appeals to collectors focused on Fairey's environmental and political-critique output, especially those assembling a run of his oil- and climate-themed works. At a signed edition of 400 it is among the more attainable pieces in that group, making it a practical anchor for a thematic collection. The 18 x 24 format and Fairey's bold graphic approach give it solid display presence, and its title makes the message immediately legible, which collectors value for conversation and curation. Those tracing the evolution of Fairey's oil critique toward later works will appreciate Cost Of Oil as an earlier reference point within that ongoing series.
Historical Context
Released in June 2008 through Obey Giant, Cost Of Oil belongs to a period when Fairey increasingly used his prints to address environmental and geopolitical issues alongside his better-known political imagery. The subject of oil dependence recurs across his catalog, and this work reads as an earlier entry in a lineage he would extend in later years with related crude-oil and blood-and-oil pieces. Issued as a standard signed edition of 400, it reflects the typical Obey Giant release format of the era. Because the record supplies limited descriptive detail, its placement in Fairey's arc rests largely on its title and recurring theme rather than on documented production specifics, but it fits clearly within his environment-and-climate strand.
FAQ
What is Cost Of Oil about?
The title points to the environmental and geopolitical cost of oil dependence, a recurring theme in Fairey's work. The record's description is limited, so the subject is inferred chiefly from the title and the work's environment-and-climate theme association.
What is the edition size?
It is a signed edition of 400, published by Obey Giant in 2008. The print measures 18 x 24 inches and is a screen print, described in the record as an 18 x 24 inch signed screen print edition of 400.
How does it relate to Fairey's other work?
Oil and energy critique recurs throughout Fairey's catalog. Cost Of Oil reads as an earlier entry in a lineage he later extended with related crude-oil and blood-and-oil prints addressing similar themes.
What are its dimensions and medium?
It is a screen print measuring 18 x 24 inches, published by Obey Giant in 2008 in a signed edition of 400. No price or additional production detail is provided in the source record.
Related Works
About the Artist
Shepard Fairey (b. 1970, Charleston, South Carolina) is an American street artist, graphic designer, and activist, and a graduate of the Rhode Island School of Design. His 1989 “André the Giant Has a Posse” sticker grew into the global OBEY GIANT campaign — an ongoing experiment in propaganda, obedience, and visual culture. He reached worldwide recognition with the 2008 “Hope” portrait of Barack Obama, now held by the Smithsonian National Portrait Gallery. Across screen prints, stencils, murals, and collage, Fairey channels propaganda aesthetics toward themes of peace, justice, environmentalism, and civil rights. His work is in the collections of the Museum of Modern Art, the Victoria & Albert Museum, and LACMA.





