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What is Shepard Fairey’s piece called “Station To Station 3”?

Year2012
MediumScreen Print
Dimensions54.6 x 39.6 in
EditionFirst Edition
Edition size50
PublisherObey Giant
Original release price$850
SeriesCollaboration
EraPropaganda Era
Collector6/10
Visual8/10
Historical5/10
ScarcityScarce

Artist Statement

39 5/8 inches by 54 5/8 inches, 4 Color, Large Format Screen Print on 100% Cotton Rag Archival Paper. Printed by Modern Multiples. Edition of 50. Sold individually for $850 or buy all 4 (Station to Station 1, 2, 3 and 4) for $3200. Certificate of Authenticity provided Release Date: 11/27/2012 at 10am PST in Large Format Prints

Summary

Station To Station 3 is a 2012 large-format screen print by Shepard Fairey, released November 27, 2012 through Obey Giant. Printed by Modern Multiples in four colors on 100% cotton rag archival paper, it measures roughly 39 5/8 by 54 5/8 inches in an edition of 50. It is the third image in a four-part Station To Station set that could be bought individually for $850 or as a complete set of all four. A Certificate of Authenticity was provided. The print pairs Fairey's signature graphic vocabulary with a collaborative, pop-culture-driven concept executed at unusually large scale.

Why It Matters

Station To Station 3 belongs to one of Fairey's most ambitious large-format outputs, produced in collaboration with master printer Modern Multiples and offered as part of a coordinated four-panel set. At an edition of just 50, it sits well below the run sizes of Fairey's everyday signed prints, which gives it added weight among collectors who track his scarcer screen-printed work. The use of 100% cotton rag archival paper and a four-color process underscores the print's intended permanence and gallery-grade presentation, distinguishing it from poster-grade releases. Because it was conceived as one part of a unified suite, the work rewards collectors who appreciate sequence and completeness: the set was explicitly priced as a bundle, signaling that Fairey designed these images to be read together. For a database, the salient facts are the small edition, the named master printer, the archival substrate, and the collaborative pop-culture theme. Those qualities position Station To Station 3 as a serious large-scale studio piece rather than a quick promotional poster, and they explain its appeal to buyers focused on production quality and limited availability within Fairey's 2012 catalog.

Collector Perspective

This print appeals to collectors who prize Fairey's large-format screen prints and value the craftsmanship signaled by Modern Multiples printing and cotton rag archival paper. At roughly 39 by 54 inches, it is a statement piece built for prominent wall display rather than a portfolio sleeve, so it suits buyers with the space and framing budget to do it justice. The edition of 50 makes it meaningfully scarcer than Fairey's standard signed editions, which attracts completists and series collectors, especially those pursuing all four Station To Station panels as the intended bundle. It fits naturally into a collection organized around Fairey's collaborative and pop-culture work, and pairs well with his other 2011-2012 large-format album-cover prints.

Historical Context

Station To Station 3 dates to late 2012, a period when Fairey was producing a steady stream of large-format screen prints through Obey Giant in partnership with Modern Multiples. Released November 27, 2012, it sits alongside his other ambitious oversized works of the era and reflects his continued engagement with collaborative, pop-culture-driven imagery. The four-part Station To Station structure shows Fairey thinking in coordinated suites rather than single images, a recurring strategy in his catalog. Within his broader arc, this print represents the mature studio-production phase of his career, where archival materials, named master printers, and tightly limited editions marked a move toward gallery-grade fine-art output distinct from his earlier street-poster roots.

FAQ

How large is Station To Station 3?

It is a large-format screen print measuring approximately 39 5/8 inches by 54 5/8 inches. This oversized scale makes it one of Fairey's bigger 2012 prints, intended for prominent wall display rather than standard portfolio framing.

How many were made?

Station To Station 3 was released in a First Edition of 50 prints. That run size is notably smaller than many of Fairey's standard signed editions, making it relatively scarce within his 2012 large-format output.

Was it part of a set?

Yes. It is the third of four Station To Station prints. Buyers could purchase prints individually at $850 each or acquire all four (Station to Station 1, 2, 3 and 4) together as a bundle for $3200.

How was it produced?

It is a four-color, large-format screen print on 100% cotton rag archival paper, printed by Modern Multiples and published by Obey Giant. A Certificate of Authenticity was provided with the print.

Related Works

About the Artist

Shepard Fairey portrait

Shepard Fairey (b. 1970, Charleston, South Carolina) is an American street artist, graphic designer, and activist, and a graduate of the Rhode Island School of Design. His 1989 “André the Giant Has a Posse” sticker grew into the global OBEY GIANT campaign — an ongoing experiment in propaganda, obedience, and visual culture. He reached worldwide recognition with the 2008 “Hope” portrait of Barack Obama, now held by the Smithsonian National Portrait Gallery. Across screen prints, stencils, murals, and collage, Fairey channels propaganda aesthetics toward themes of peace, justice, environmentalism, and civil rights. His work is in the collections of the Museum of Modern Art, the Victoria & Albert Museum, and LACMA.