Gauntlet Gallery
What is Shepard Fairey’s piece called “Let Fury Have The Hour (Book)”?
Artist Statement
Let Fury Have The Hour, 2013 Offset Lithograph 18 x 24 inches
Summary
Let Fury Have The Hour (Book) is a 2013 offset lithograph by Shepard Fairey, published by Obey Giant at 18 x 24 inches and priced at $40. The source lists it as a first edition associated with the Let Fury Have The Hour project, in the same family as the related film poster. The record provides only minimal description, identifying the medium as offset lithograph and the dimensions, without further detail on signatures or specific imagery.
Why It Matters
This work is part of the Let Fury Have The Hour family of releases connected to the Antonino D'Ambrosio project, here in an offset lithograph format tied to the book rather than the signed screen-print poster. Offset lithographs in Fairey's catalog are typically more affordable, accessible companions to his screen prints, and the $40 price point recorded in the source is consistent with that role. For collectors, the appeal lies in completing the Let Fury Have The Hour set and in owning an affordable artifact of Fairey's collaboration with D'Ambrosio. Because the source description is brief and does not confirm a signature or edition size beyond first edition, this entry should be approached cautiously and is best understood as a supporting piece within the project rather than a standout edition. Its significance is primarily as a documented part of Fairey's early-2013 collaborative output and as an accessible point of entry for those interested in his film- and book-related work.
Collector Perspective
This print appeals to completist collectors of the Let Fury Have The Hour project and to budget-conscious buyers who appreciate Fairey's more affordable offset lithographs. At an original $40 and 18 x 24 inches, it is among the most accessible ways to own a piece connected to the D'Ambrosio collaboration. It pairs naturally with the related film poster for a small thematic grouping, and suits collectors who value breadth across Fairey's projects over premium single works. Given the limited source detail, buyers should verify edition and signature specifics independently. As a display piece it offers the project's imagery at modest cost, making it a practical addition rather than a centerpiece.
Historical Context
This offset lithograph belongs to Fairey's early-2013 Obey Giant output and the Let Fury Have The Hour project linked to filmmaker Antonino D'Ambrosio. Offset lithographs recur throughout Fairey's catalog as accessible companions to his limited screen prints, broadening reach for project-related imagery. While the source gives only minimal detail, the work's place is clear as part of the cluster of early-2013 releases tied to this collaboration, reflecting Fairey's ongoing practice of extending allied cultural and film projects through multiple print formats at different price points rather than a single exclusive edition.
FAQ
What medium is this work?
According to the source, it is an offset lithograph measuring 18 x 24 inches, published by Obey Giant in 2013 and priced at $40.
How does this differ from the Let Fury Have The Hour film poster?
This is the book-related offset lithograph version, while the film poster is a signed screen print edition of 450. Both belong to the same Let Fury Have The Hour project from early 2013.
Is the edition size known?
The source lists it as a first edition but does not provide a specific numbered edition size or confirm a signature, so those details should be verified independently.
Related Works
About the Artist
Shepard Fairey (b. 1970, Charleston, South Carolina) is an American street artist, graphic designer, and activist, and a graduate of the Rhode Island School of Design. His 1989 “André the Giant Has a Posse” sticker grew into the global OBEY GIANT campaign — an ongoing experiment in propaganda, obedience, and visual culture. He reached worldwide recognition with the 2008 “Hope” portrait of Barack Obama, now held by the Smithsonian National Portrait Gallery. Across screen prints, stencils, murals, and collage, Fairey channels propaganda aesthetics toward themes of peace, justice, environmentalism, and civil rights. His work is in the collections of the Museum of Modern Art, the Victoria & Albert Museum, and LACMA.