Gauntlet Gallery
What is Shepard Fairey’s piece called “Face To *Face”?
Artist Statement
FACE to *FACE 3 Color Screen print (Metallic Silver, Red, & Black) 18 x 24 inches Edition of 200 Signed by both Shepard and D*FACE $80 My good friend D*FACE asked me to write an essay for his monograph: D*FACE – One Man & His Dog. I was honored to do it because we are long time friends and I’m a big fan of his art. His book turned out incredible in both design and content. I’m proud to be part of it. For D*Face’s LA book launch we decided to do a collaborative print signed by both of us. The edition is only 200 so get them while you can! -Shepard
Summary
Face To *Face is a 2014 collaborative three-color screen print (metallic silver, red, and black) by Shepard Fairey and D*Face, measuring 18 x 24 inches in an edition of 200 and signed by both artists. Published by Stephen Webster Gallery and released in early February 2014, it was created for the Los Angeles launch of D*Face's monograph, D*Face: One Man & His Dog, for which Fairey wrote an essay. The print pairs the two street artists' iconographies in a graphic, three-color composition, with an original price of 80 dollars.
Why It Matters
Face To *Face documents a genuine, long-running friendship and creative kinship between two prominent street artists, Shepard Fairey and D*Face. Fairey notes he was honored to write the essay for D*Face's monograph because they are longtime friends and he is a fan of the work, and the print was made specifically to mark the book's LA launch. Collaborative prints signed by both artists are inherently more limited in spirit than solo drops, and at an edition of only 200, it sits among the scarcer collaborative releases in Fairey's catalog. The dual signature is the key draw: it makes the print a tangible artifact of the relationship between two influential figures in contemporary street art, appealing to collectors of both. Visually, the three-color metallic-silver, red, and black palette gives it a bold graphic punch typical of both artists' poster-derived sensibilities. As a crossover object, it carries value beyond Fairey-only collecting, bridging two fan bases and commemorating a specific moment in street-art publishing history.
Collector Perspective
This print is especially attractive to collectors of both Shepard Fairey and D*Face, since it is signed by both artists, doubling its appeal across two fan bases. Its edition of 200 makes it relatively limited among collaborative releases, and the three-color metallic palette gives it strong graphic presence at a frame-friendly 18 x 24 inches. Collectors who focus on street-art collaborations or who own D*Face's monograph will value it as a commemorative companion piece. It fits well in a collection organized around Fairey's collaborations and crossover projects, and the dual-signature provenance adds long-term interest for those who prioritize artist relationships and street-art history.
Historical Context
Released in February 2014 through Stephen Webster Gallery, Face To *Face belongs to Fairey's substantial body of collaborative prints and reflects his deep ties within the international street-art community. It was produced to coincide with the LA launch of British artist D*Face's monograph, D*Face: One Man & His Dog, for which Fairey contributed an essay. The print sits in a period when Fairey frequently partnered with fellow artists, and it commemorates a specific publishing milestone rather than advancing a political theme. By uniting both artists' signatures and visual languages, it marks a moment in the documentation and institutionalization of contemporary street art.
FAQ
Who collaborated on Face To *Face?
It is a collaboration between Shepard Fairey and the British street artist D*Face. It is signed by both artists and was created for the LA launch of D*Face's monograph, D*Face: One Man & His Dog, for which Fairey wrote an essay.
What are the colors and size?
It is a three-color screen print using metallic silver, red, and black, measuring 18 x 24 inches. The original release price was 80 dollars.
How large is the edition?
The edition is 200, signed by both Shepard Fairey and D*Face. Fairey noted the edition is only 200 and encouraged buyers to get them while they could.
Why was this print made?
It was produced to mark the Los Angeles book launch of D*Face's monograph. Fairey, a longtime friend and fan, wrote the book's essay and the two decided to do a collaborative print signed by both.
Related Works
About the Artist
Shepard Fairey (b. 1970, Charleston, South Carolina) is an American street artist, graphic designer, and activist, and a graduate of the Rhode Island School of Design. His 1989 “André the Giant Has a Posse” sticker grew into the global OBEY GIANT campaign — an ongoing experiment in propaganda, obedience, and visual culture. He reached worldwide recognition with the 2008 “Hope” portrait of Barack Obama, now held by the Smithsonian National Portrait Gallery. Across screen prints, stencils, murals, and collage, Fairey channels propaganda aesthetics toward themes of peace, justice, environmentalism, and civil rights. His work is in the collections of the Museum of Modern Art, the Victoria & Albert Museum, and LACMA.