Gauntlet Gallery
What is Shepard Fairey’s piece called “Satangelic Sounds”?
Artist Statement
42 x 42 Large Format Serigraph. Signed and Numbered Edition of 50. 1 Color printed on Varnished 100% Cotton Rag Archival Paper. $600. Release Date: Tuesday July 29, 2014
Summary
Satangelic Sounds is a 2014 Shepard Fairey large-format serigraph published by Obey Giant, measuring 42 x 42 inches. It is a one-color print on varnished 100% cotton rag archival paper, issued as a signed and numbered edition of 50. With its monumental square format and single-color graphic treatment, the work draws on Fairey's collaborations and pop-culture themes, with a secondary tie to music and counterculture. It belongs to his 2014 program of large-format collectible serigraphs and was released on Tuesday, July 29, 2014.
Why It Matters
Satangelic Sounds is part of Fairey's 2014 large-format serigraph series, marked by its 42 x 42 inch scale, single-color printing, and tight edition of 50. The combination of monumental size and restrained color foregrounds his graphic-design sensibility, letting composition and contrast carry the image without a broad palette. Printed on varnished 100% cotton rag archival paper, it shares the premium materials of Fairey's collectible large-format program. Its secondary music-and-counterculture theme links it to his enduring engagement with music imagery, placing it alongside companion works such as Sonic Firestorm and Luxurious Sounds that share format, edition size, and subject. For collectors, the appeal lies in the small edition, archival substrate, and statement-piece scale that makes the work a centerpiece rather than an accent. As one of several same-program 2014 serigraphs tied to music, it supports building a cohesive grouping of large-format works from this productive year. It rewards buyers who appreciate disciplined, large-scale single-color screen printing and Fairey's recurring music themes.
Collector Perspective
Satangelic Sounds appeals to collectors who favor large-scale Fairey serigraphs and his music-and-counterculture themes. At 42 x 42 inches on archival cotton rag, it functions as a centerpiece work for a substantial wall, and its single-color graphic treatment reads boldly from a distance. The edition of 50 attracts buyers who value tighter editions within Fairey's catalog. It pairs naturally with Sonic Firestorm and Luxurious Sounds, sharing format, edition size, and music subject matter, allowing collectors to assemble a coherent grouping of same-program 2014 large-format serigraphs for ambitious, unified display.
Historical Context
Satangelic Sounds belongs to Fairey's 2014 large-format serigraph program through Obey Giant, the run of 42 x 42 inch single-color works that defined his collectible fine-art output that year. Its secondary music-and-counterculture theme connects it to Fairey's long-standing engagement with music imagery, a strand running through much of his career. Within his arc, these large-format pieces represent the scaling-up of the screen-printing discipline developed during his early OBEY and street-poster years into limited, gallery-oriented editions, presenting his music-adjacent imagery at monumental scale for dedicated collectors.
FAQ
What are the dimensions and medium of Satangelic Sounds?
It is a 42 x 42 inch large-format serigraph, printed in one color on varnished 100% cotton rag archival paper. The square format and single-color treatment emphasize bold graphic composition, and the archival substrate supports long-term display and preservation.
What is the edition size?
Satangelic Sounds is a signed and numbered edition of 50, published by Obey Giant in 2014. The record lists an original price of $600, placing it among Fairey's smaller, more limited large-format serigraph releases.
When was it released?
The record gives a release date of Tuesday, July 29, 2014, through Obey Giant. It belongs to Fairey's 2014 run of 42 x 42 inch large-format serigraphs.
What themes does it engage?
Source fields tie the work to collaborations and pop culture, with a secondary theme of music and counterculture. It extends Fairey's recurring engagement with music imagery, rendered in his characteristic single-color graphic style.
Related Works
About the Artist
Shepard Fairey (b. 1970, Charleston, South Carolina) is an American street artist, graphic designer, and activist, and a graduate of the Rhode Island School of Design. His 1989 “André the Giant Has a Posse” sticker grew into the global OBEY GIANT campaign — an ongoing experiment in propaganda, obedience, and visual culture. He reached worldwide recognition with the 2008 “Hope” portrait of Barack Obama, now held by the Smithsonian National Portrait Gallery. Across screen prints, stencils, murals, and collage, Fairey channels propaganda aesthetics toward themes of peace, justice, environmentalism, and civil rights. His work is in the collections of the Museum of Modern Art, the Victoria & Albert Museum, and LACMA.