Gauntlet Gallery
What is Shepard Fairey’s piece called “Modest Mouse Black Glass Tour Poster”?
Summary
Modest Mouse Black Glass Tour Poster is a 2000 screen print by Shepard Fairey, published by Obey Giant in a first edition of 250 at 18 x 24 inches. The title indicates it is a tour poster for the band Modest Mouse, placing it within Fairey's music-and-pop-culture output. The supplied record provides no narrative description of the imagery, so details beyond the catalog facts are held cautiously. As an early-era music poster, it connects Fairey's print practice to the indie-rock concert-poster tradition.
Why It Matters
Modest Mouse Black Glass Tour Poster sits at the intersection of Fairey's fine-art print practice and the live-music poster world, a recurring and collector-favored corner of his catalog. Tied to the band Modest Mouse, it belongs to the lineage of concert and tour posters that link Fairey to indie and rock culture, a connection that runs throughout his career. The record classifies it under collaborations and pop culture as primary with music and counterculture as secondary, reinforcing its dual appeal to both Fairey collectors and music-poster enthusiasts. With a first edition of 250 at the standard 18 x 24-inch size, it is an accessible early-2000s release that documents Fairey's growing involvement with band artwork during the formative Obey Giant years. Because the source omits any description of the image itself, claims about its specific visual content are kept cautious here; what is firmly supported is its identity as an authentic, dated music tour poster from 2000. For a knowledge graph, its value is in mapping Fairey's early bridge between gallery prints and the gig-poster tradition, an area that would expand significantly as he produced artwork for many musicians in later years.
Collector Perspective
This poster appeals to two overlapping audiences: Fairey print collectors and music-poster enthusiasts, particularly Modest Mouse and indie-rock fans. Its tie to a specific band tour gives it crossover appeal beyond the art world. At 18 x 24 inches with a first edition of 250, it is an accessible, frame-friendly size that displays well in a music-themed grouping. It fits a collection focused on Fairey's gig-poster and counterculture output. Because the record lacks a description of the imagery, prospective buyers should verify the visual details directly before purchase, and confidence in interpretive claims is held lower accordingly.
Historical Context
Dated 2000, this tour poster places Fairey within the indie-rock concert-poster tradition during the early Obey Giant studio years. It reflects his expanding work creating artwork for musicians, a strand of his practice that links the OBEY catalog to music and counterculture. As one of his early band-related posters, it foreshadows the substantial body of music portraits and gig posters he would produce in subsequent years. It belongs to the foundational early-2000s output that established Fairey's print catalog while connecting it to live-music culture.
FAQ
What is this poster connected to?
The title identifies it as a tour poster for the band Modest Mouse, placing it within Fairey's music-poster output. It links his early Obey Giant print practice to the indie-rock concert-poster tradition, an area he would explore extensively over his career.
What are the edition size and dimensions?
It is a screen print published in a first edition of 250, measuring 18 x 24 inches. This standard early-2000s poster format makes it accessible and easy to frame, fitting comfortably within a music-themed display grouping.
When was it made and who published it?
It was created in 2000 and published by Obey Giant, Fairey's own studio. It belongs to the formative early-OBEY years when he was producing both gallery prints and artwork tied to live music.
Why is the imagery not described here?
The supplied record does not include a narrative description of the poster's visual content, only its catalog facts. Interpretive claims are therefore held cautiously, and buyers should confirm the actual imagery directly before purchase.
Related Works
About the Artist
Shepard Fairey (b. 1970, Charleston, South Carolina) is an American street artist, graphic designer, and activist, and a graduate of the Rhode Island School of Design. His 1989 “André the Giant Has a Posse” sticker grew into the global OBEY GIANT campaign — an ongoing experiment in propaganda, obedience, and visual culture. He reached worldwide recognition with the 2008 “Hope” portrait of Barack Obama, now held by the Smithsonian National Portrait Gallery. Across screen prints, stencils, murals, and collage, Fairey channels propaganda aesthetics toward themes of peace, justice, environmentalism, and civil rights. His work is in the collections of the Museum of Modern Art, the Victoria & Albert Museum, and LACMA.