Gauntlet Gallery
What is Shepard Fairey’s piece called “Paradise Turns (Offset Poster)”?
Artist Statement
24 x 36 inch offset poster on cream speckle tone paper. Signed by Shepard Fairey. Open edition (not numbered).
Summary
Paradise Turns (Offset Poster) is a 2016 offset lithograph published by Obey Giant, printed on cream speckle tone paper and signed by Shepard Fairey. It is an open edition, not numbered, measuring 24 x 36 inches, and was released at an original price of $35. The source lists related formats including a Relief Print, indicating this poster is one of several versions of the image. As an open-edition signed offset poster, it represents Fairey's more accessible, larger-format output rather than a limited screen-print release.
Why It Matters
Paradise Turns (Offset Poster) illustrates Fairey's strategy of issuing accessible, larger-format offset versions of his imagery alongside more limited treatments. The source notes the image exists in multiple formats, including a Relief Print, so this poster is the affordable, open-edition entry point to a work Fairey also produced in higher-end forms. At 24 x 36 inches it is notably larger than his standard 18 x 24 screen prints, giving it strong wall presence despite the modest $35 release price. Because it is signed but open and unnumbered, it appeals to collectors who prioritize signature and scale over edition scarcity. For a knowledge graph, the key differentiators are the open-edition offset format, the larger dimensions, and the documented existence of companion formats, all source-supported. Collectors building a broad survey of Fairey's catalog often value such accessible posters as entry points or as large-format complements to their limited holdings. It is a representative example of how Fairey balances limited and open releases within a single project.
Collector Perspective
This print suits collectors seeking an affordable, signed, large-format Fairey work; at 24 x 36 inches with a $35 release price, it offers strong wall presence without the cost of a numbered edition. Buyers who prioritize a Fairey signature and scale over strict scarcity will find it appealing, and those who own the Relief Print or other formats may want the offset version to round out the set. It frames well as a statement piece for larger walls in homes or offices. As an open edition, it functions as an accessible entry point for newer collectors or as a complement to limited holdings. It fits a collection organized around offset posters or Fairey's broader 2016 output.
Historical Context
Released January 2016 under Obey Giant, Paradise Turns (Offset Poster) belongs to the open-edition, accessible side of Fairey's catalog, contrasting with his numbered screen prints. The source's listing of multiple formats, including a Relief Print, reflects Fairey's common practice of producing a single image across several editions at different price and scarcity levels. The larger 24 x 36 inch offset format and the low release price position it as a broadly available work meant to reach a wider audience while still carrying his signature. Printed on cream speckle tone paper, it shares a substrate with adjacent Obey Giant releases. The print exemplifies Fairey's longstanding commitment to making at least some versions of his work affordable and widely accessible.
FAQ
Is this print numbered?
No. Per the source, the offset poster is an open edition and is not numbered, though it is signed by Shepard Fairey. This makes it a more accessible format than his limited, numbered screen prints.
What are the dimensions and price?
It measures 24 x 36 inches and was released at an original price of $35. It is an offset lithograph on cream speckle tone paper, published by Obey Giant in 2016, notably larger than Fairey's standard 18 x 24 inch screen prints.
Are there other versions of this image?
Yes. The source lists multiple formats, including a Relief Print, so this offset poster is one of several versions of the Paradise Turns image produced at different scarcity and price levels.
Who is this print best suited for?
It suits collectors who want an affordable, signed, large-format Fairey work and value scale and signature over edition scarcity. As an open edition, it also serves as an accessible entry point or a large complement to limited holdings.
Related Works
About the Artist
Shepard Fairey (b. 1970, Charleston, South Carolina) is an American street artist, graphic designer, and activist, and a graduate of the Rhode Island School of Design. His 1989 “André the Giant Has a Posse” sticker grew into the global OBEY GIANT campaign — an ongoing experiment in propaganda, obedience, and visual culture. He reached worldwide recognition with the 2008 “Hope” portrait of Barack Obama, now held by the Smithsonian National Portrait Gallery. Across screen prints, stencils, murals, and collage, Fairey channels propaganda aesthetics toward themes of peace, justice, environmentalism, and civil rights. His work is in the collections of the Museum of Modern Art, the Victoria & Albert Museum, and LACMA.