Gauntlet Gallery
What is Shepard Fairey’s piece called “Henry Rollins Tour 2016”?
Artist Statement
Henry Rollins Tour 2016. Signed by Henry Rollins and Shepard Fairey. 18 inches by 24 inches Screen Print. Numbered Edition of 350. $50.
Summary
Henry Rollins Tour 2016 is an 18-by-24-inch screen print published by Obey Giant in 2016 to mark Henry Rollins's tour that year. Issued in a numbered edition of 350, the print is notably signed by both Henry Rollins and Shepard Fairey. It falls within Fairey's collaborations-and-pop-culture work with a music-and-counterculture connection, reflecting his long association with the punk and hardcore scene. The dual-signed format makes it a crossover collectible bridging visual art and music memorabilia, appealing to fans of Rollins and Fairey alike at an accessible price and standard print size.
Why It Matters
Henry Rollins Tour 2016 stands out for its dual provenance: it is signed by both Shepard Fairey and Henry Rollins, making it a genuine crossover object that bridges Fairey's visual art with music memorabilia. Fairey's connection to the punk and hardcore world runs deep, and his repeated collaborations with Rollins, a foundational figure in American hardcore, reinforce a creative relationship rather than a one-off commission. This 2016 tour print continues that thread, following an earlier Rollins collaboration and sitting among Fairey's broader music-and-counterculture output. For collectors, the double signature meaningfully widens the audience: it draws Rollins fans and music-memorabilia buyers in addition to dedicated Fairey print collectors, and tour-specific imagery adds a documentary, of-the-moment quality. With a numbered edition of 350 it is a mid-size run, accessible but not unlimited, and the 18-by-24-inch format keeps it easy to display and frame. The work's significance lies less in scale or scarcity than in its cultural intersection, capturing the enduring link between Fairey's design sensibility and the counterculture music scene that shaped his aesthetic. That combination makes it a more distinctive acquisition than a single-signature print of comparable size.
Collector Perspective
This print appeals to two overlapping audiences: Fairey print collectors and Henry Rollins or hardcore-punk music fans, with the dual signature giving it value as both art and music memorabilia. Tour-specific imagery makes it attractive to those who collect concert and tour artwork, while the standard 18-by-24-inch size and edition of 350 keep it accessible and easy to display. Collectors assembling a music-and-counterculture grouping within their Fairey holdings will find it a natural fit, especially alongside the earlier Rollins collaboration and other punk-adjacent releases. The combination of two notable signatures on an affordably sized print makes it a satisfying crossover piece rather than a high-end trophy.
Historical Context
Henry Rollins Tour 2016 sits within Fairey's mid-2010s music-and-counterculture work and reflects his ongoing collaborative relationship with Henry Rollins, extending an earlier Rollins tour print from 2010. Fairey's roots in the punk and skate scene have long informed his aesthetic, and his repeated work with hardcore figures like Rollins documents that lineage in print form. Released through Obey Giant in 2016, the piece belongs to a cluster of music-themed collaborations from this period, alongside punk-related titles such as Be Reasonable and Suburban Pressure. The dual-signed format ties Fairey's design practice directly to the counterculture music world that shaped it.
FAQ
Who signed this print?
According to the source, Henry Rollins Tour 2016 is signed by both Henry Rollins and Shepard Fairey. The dual signature makes it a crossover collectible spanning visual art and music memorabilia, appealing to fans of both figures.
What are the size and edition details?
The print measures 18 inches by 24 inches and was issued as a numbered edition of 350 by Obey Giant in 2016. The standard size and mid-range edition make it an accessible example within Fairey's catalog.
What is the connection between Fairey and Henry Rollins?
Fairey has collaborated with Henry Rollins more than once; this 2016 tour print follows an earlier Rollins tour collaboration. The relationship reflects Fairey's longstanding ties to the punk and hardcore music scene that influenced his aesthetic.
What medium is it?
It is a screen print, published by Obey Giant in 2016. The work falls within Fairey's collaborations-and-pop-culture output with a clear music-and-counterculture connection.
Related Works
About the Artist
Shepard Fairey (b. 1970, Charleston, South Carolina) is an American street artist, graphic designer, and activist, and a graduate of the Rhode Island School of Design. His 1989 “André the Giant Has a Posse” sticker grew into the global OBEY GIANT campaign — an ongoing experiment in propaganda, obedience, and visual culture. He reached worldwide recognition with the 2008 “Hope” portrait of Barack Obama, now held by the Smithsonian National Portrait Gallery. Across screen prints, stencils, murals, and collage, Fairey channels propaganda aesthetics toward themes of peace, justice, environmentalism, and civil rights. His work is in the collections of the Museum of Modern Art, the Victoria & Albert Museum, and LACMA.