← Gauntlet · The Shepard Fairey Print Reference high_search
Click to enlarge

Gauntlet Gallery

What is Shepard Fairey’s piece called “Rewrite The Law (Large Format)”?

Year2018
MediumScreen Print
Dimensions40 x 31 in
EditionLarge Format
Edition size75
PublisherAmplifier Foundation
Original release price$750
SeriesPortrait Series
EraModern Activism Era
Collector7/10
Visual8/10
Historical7/10
ScarcityScarce

Artist Statement

Large Format print on 100% cotton custom archival paper with hand-deckled edges featuring young leader Amanda Nguyen. 31 x 40 inches. 6 color screen print on cream. Signed by Shepard Fairey. Numbered edition of 75. Obey publishing chop in lower left corner. Comes with Certificate of Authenticity (COA).

Summary

Rewrite The Law (Large Format) is a 2018 six-color screen print by Shepard Fairey, published by the Amplifier Foundation in a signed, numbered edition of 75. Measuring 31 x 40 inches, it is printed on 100% cotton custom archival paper with hand-deckled edges on a cream sheet and carries the Obey publishing chop in the lower left corner. It portrays young leader Amanda Nguyen and includes a Certificate of Authenticity. The large-scale portrait applies Fairey's graphic poster style to a youth activist, with the title pointing toward legal reform and rights advocacy within the We The Future project.

Why It Matters

Rewrite The Law completes the large-format trio of Fairey's We The Future portraits, focusing on activist Amanda Nguyen, whose work centers on survivors' rights and legal reform. The title makes the print an explicit nod to changing law through civic action, situating it within Fairey's broader human-rights and social-justice concerns and reflecting the record's collaborations and power themes. Like its companions, it is a premium release: six-color screen printing on 100% cotton hand-deckled archival paper, the Obey publishing chop, and an included Certificate of Authenticity, all in a tight edition of 75 that makes it scarcer than the standard-size set. Published by the Amplifier Foundation, it shares the advocacy provenance that sets Fairey's mission-driven prints apart from his commercial editions. Culturally, the work demonstrates how Fairey pairs portraiture with a directive title to convert a likeness into a call for reform, elevating a young activist to the same iconographic register he has used for established figures. For collectors, the combination of large scale, archival materials, low edition, advocacy partner, and a rights-focused message makes it a substantive piece and a key component for anyone assembling the complete large-format series.

Collector Perspective

This print appeals to collectors focused on Fairey's human-rights and social-justice portraiture and his Amplifier Foundation collaborations. At 31 x 40 inches on hand-deckled archival cotton with the Obey chop and a Certificate of Authenticity, it presents as a premium display piece for a primary wall. The edition of 75 is small, drawing scarcity-minded buyers and those completing the We The Future large-format trio. Because it portrays Amanda Nguyen and addresses legal reform, it fits collections built around women leaders, activism, and rights advocacy, and it groups naturally with the companion large-format portraits from the same 2018 release.

Historical Context

Rewrite The Law is part of Fairey's 2018 We The Future collaboration with the Amplifier Foundation, the large-format tier devoted to individual young leaders. Featuring Amanda Nguyen, whose advocacy concerns survivors' rights and legislative change, the title aligns with Fairey's recurring engagement with rights and reform. Its premium construction, six-color archival cotton printing, hand-deckled edges, Obey chop, and COA, matches the other large-format prints in the series, reflecting the elevated production Fairey reserved for these advocacy portraits. Released the same day as its companions, it belongs to a tight cluster of 2018 Amplifier large-format works and shows how Fairey used youth-activist portraiture, paired with directive titles, to advance human-rights and social-justice messaging during this stretch of his career.

FAQ

Who is featured in Rewrite The Law?

The large-format print features young leader Amanda Nguyen. It is part of Fairey's We The Future series portraying emerging activists, with a title that points toward legal reform and rights advocacy.

What is the edition size?

It is a signed, numbered edition of 75, six-color screen printed on cream paper, a small run compared with the standard-size We The Future prints.

What materials and authentication are included?

It is printed on 100% cotton custom archival paper with hand-deckled edges and carries the Obey publishing chop in the lower left corner. The source states it comes with a Certificate of Authenticity.

How large is it and who published it?

It measures 31 x 40 inches and was published by the Amplifier Foundation, Fairey's advocacy-art collaborator on the We The Future project.

Related Works

About the Artist

Shepard Fairey portrait

Shepard Fairey (b. 1970, Charleston, South Carolina) is an American street artist, graphic designer, and activist, and a graduate of the Rhode Island School of Design. His 1989 “André the Giant Has a Posse” sticker grew into the global OBEY GIANT campaign — an ongoing experiment in propaganda, obedience, and visual culture. He reached worldwide recognition with the 2008 “Hope” portrait of Barack Obama, now held by the Smithsonian National Portrait Gallery. Across screen prints, stencils, murals, and collage, Fairey channels propaganda aesthetics toward themes of peace, justice, environmentalism, and civil rights. His work is in the collections of the Museum of Modern Art, the Victoria & Albert Museum, and LACMA.