Gauntlet Gallery
What is Shepard Fairey’s piece called “Stay Up Girl (Offset Lithograph)”?
Artist Statement
OBEY Stay Up Girl. 24 x 36 inches. Offset lithograph on cream Speckle Tone paper. Signed by Shepard Fairey. Open edition. $35.
Summary
Stay Up Girl is a 2019 offset lithograph by Shepard Fairey, published by Obey Giant on cream Speckle Tone paper, measuring 24 x 36 inches and signed by the artist. It was issued as an open edition at an original price of $35. The source provides limited descriptive detail beyond medium, size, paper, and edition type. As an OBEY-branded offset lithograph, it represents the more affordable, widely accessible side of Fairey's output, produced as a signed open edition rather than a numbered limited run.
Why It Matters
Stay Up Girl represents the accessible, entry-level tier of Shepard Fairey's catalog: a signed offset lithograph issued as an open edition at a low original price point. While the source offers limited interpretive detail, the format itself is significant. Open-edition offset lithographs are how Fairey keeps his work within reach of a broad audience, consistent with his long-stated belief that art should not be limited to a privileged few. Signed but unnumbered, printed on cream Speckle Tone paper at 24 x 36 inches, it sits alongside his other affordable OBEY-branded offsets rather than his premium numbered screen prints. For new collectors, prints like this are an approachable way to own a signed Fairey work. Because the record is sparse, claims about its specific imagery or message should remain cautious. What can be said with confidence is its role within his output: a democratized, broadly available release that prioritizes accessibility over rarity, embodying the populist distribution philosophy that has always underpinned the OBEY project.
Collector Perspective
Stay Up Girl appeals to entry-level collectors and OBEY enthusiasts seeking an affordable, signed Fairey work without the cost of a numbered screen print. As a 24 x 36 inch offset lithograph on cream Speckle Tone paper, it displays well as an accessible graphic piece and fits collections built around OBEY branding and Fairey's open-edition offsets. The open edition means it is widely available rather than scarce, so it suits collectors who prioritize affordability and the artist's signature over rarity. It is a sensible starting point for a Fairey collection or a complement to a set of his lower-priced lithographs.
Historical Context
Stay Up Girl belongs to Fairey's ongoing line of OBEY-branded offset lithographs, the affordable, signed open editions that have always run parallel to his numbered limited prints. Released in 2019 on cream Speckle Tone paper, it reflects his consistent practice of making signed work broadly accessible at low cost, in keeping with his populist distribution ethos rooted in street art and DIY culture. The source provides limited context beyond format and edition, so its precise place in his arc is best described generally: it extends the democratized, high-volume side of his catalog rather than the premium collector tier.
FAQ
Is Stay Up Girl a limited edition?
No. Per the source, it is an open edition, signed by Shepard Fairey. It is not numbered, which makes it more widely available than his numbered screen prints. It was published by Obey Giant in 2019.
What are the size and materials?
It is an offset lithograph on cream Speckle Tone paper, measuring 24 x 36 inches. It was released at an original price of $35, making it one of the more affordable, accessible Fairey prints.
Is the print signed?
Yes. The source states it is signed by Shepard Fairey, though it is issued as an open, unnumbered edition. Beyond medium, size, and edition type, the record provides limited additional detail about the work.
Related Works
About the Artist
Shepard Fairey (b. 1970, Charleston, South Carolina) is an American street artist, graphic designer, and activist, and a graduate of the Rhode Island School of Design. His 1989 “André the Giant Has a Posse” sticker grew into the global OBEY GIANT campaign — an ongoing experiment in propaganda, obedience, and visual culture. He reached worldwide recognition with the 2008 “Hope” portrait of Barack Obama, now held by the Smithsonian National Portrait Gallery. Across screen prints, stencils, murals, and collage, Fairey channels propaganda aesthetics toward themes of peace, justice, environmentalism, and civil rights. His work is in the collections of the Museum of Modern Art, the Victoria & Albert Museum, and LACMA.