Gauntlet Gallery
What is Shepard Fairey’s piece called “Snoop D-O Double G”?
Artist Statement
Snoop D-O Double G. 18 x 24 inches. Screen print on thick cream Speckletone paper. Signed by Shepard Fairey. Numbered edition of 550. $80. Proceeds go to Center for Policing Equity.
Summary
Snoop D-O Double G is a 2020 Obey Giant screen print portrait, measuring 18 x 24 inches on thick cream Speckletone paper, signed by Shepard Fairey, in a numbered edition of 550. Per the source, proceeds went to the Center for Policing Equity. The release pairs a hip-hop subject with Fairey's signature graphic portrait treatment. The source description is brief, providing edition, size, paper, signature, and charitable beneficiary, so deeper interpretive claims are limited.
Why It Matters
Snoop D-O Double G extends Fairey's long engagement with music portraiture into hip-hop, a genre central to the street-culture lineage he often cites. The print's significance is reinforced by its charitable tie: the source states proceeds went to the Center for Policing Equity, linking a pop-culture music subject to social-justice and policing-reform advocacy. That pairing is characteristic of Fairey's later work, where celebrity portraiture doubles as a fundraising and awareness vehicle. For collectors, the piece offers an accessible, recognizable subject rendered in Fairey's familiar 18 x 24 inch screen-print format on Speckletone paper, at an edition of 550 that is neither tiny nor mass-market. Because the source description is brief, its importance rests mainly on the documented facts, an iconic music figure, a stated charitable beneficiary, and standard Obey production, rather than on an extended artist statement. Still, the combination of a widely known cultural figure and a justice-oriented cause gives it broad appeal among music-portrait and Fairey collectors, and it fits cleanly into the artist's catalog of musician tributes that connect entertainment culture to civic causes.
Collector Perspective
This print appeals to collectors of music portraits and hip-hop culture, as well as Obey followers who pursue Fairey's celebrity subjects. The recognizable Snoop subject gives it crossover appeal beyond core street-art collectors, and the documented Center for Policing Equity charitable tie adds meaning for socially minded buyers. As an 18 x 24 inch screen print on cream Speckletone in an edition of 550, it is a familiar, displayable format that anchors a music-themed wall or collection. It pairs naturally with Fairey's other musician portraits from the period. Its accessibility and well-known subject make it an approachable piece for newer collectors building a music-focused set.
Historical Context
Released in October 2020 by Obey Giant, this portrait belongs to Fairey's extensive series of musician tributes, here extending into hip-hop. It reflects his recurring practice of rendering cultural figures in his graphic screen-print style and attaching releases to social causes, in this case the Center for Policing Equity, as noted in the source. The brief description limits deeper contextual claims, but the work aligns with Fairey's broader catalog of music portraits that connect entertainment figures to civic and justice-oriented messaging. Within his arc it sits among the collaboration- and portrait-driven output of his later career.
FAQ
What are the specifications of this print?
It is an 18 x 24 inch screen print on thick cream Speckletone paper, signed by Shepard Fairey and issued in a numbered edition of 550. It was published by Obey Giant in 2020.
Did this print support a charity?
Yes. According to the source, proceeds from Snoop D-O Double G went to the Center for Policing Equity, linking the music portrait to policing-reform and social-justice advocacy consistent with Fairey's cause-driven releases.
How large is the edition?
The print is a numbered edition of 550, a mid-sized run for an Obey Giant screen print, signed by Shepard Fairey.
How much detail does the source provide?
The source description is brief, confirming the title, 2020 release, size, paper, signature, edition of 550, and the Center for Policing Equity charitable tie, but it does not include an extended artist statement about the imagery.
Related Works
About the Artist
Shepard Fairey (b. 1970, Charleston, South Carolina) is an American street artist, graphic designer, and activist, and a graduate of the Rhode Island School of Design. His 1989 “André the Giant Has a Posse” sticker grew into the global OBEY GIANT campaign — an ongoing experiment in propaganda, obedience, and visual culture. He reached worldwide recognition with the 2008 “Hope” portrait of Barack Obama, now held by the Smithsonian National Portrait Gallery. Across screen prints, stencils, murals, and collage, Fairey channels propaganda aesthetics toward themes of peace, justice, environmentalism, and civil rights. His work is in the collections of the Museum of Modern Art, the Victoria & Albert Museum, and LACMA.