Gauntlet Gallery
What is Shepard Fairey’s piece called “Swan Song”?
Artist Statement
This Swan Song print is a commentary on the perilous state of nature's delicate balance. Many species are in decline, eco-systems are on the verge of collapse, and climate scientists are emphasizing that time is running out to avoid environmental consequences that will make zones inhabited by millions practically unlivable. This problem may harm some people more than others, but it is a universal problem since we all impact the problems and solutions. Unfortunately, the more conscientious habits of citizens are only part of the solution. Without pressure and regulation, corporations will continue to put profits before the health of the planet. The news clipping included in the piece is a portion of an article revealing that Exxon-Mobile has known based on their own internal scientific research, for over 40 years that burning fossil fuels is warming the planet, yet they hid the research and publicly denied the impact of fossil fuels on climate change. A portion of proceeds from this print will benefit Greenpeace USA to support their work to fight climate change. Thanks for caring. The Speckletone paper used in this print is composed of recycled material. –Shepard Swan Song. 36 x 24 inches. Screen print on thick cream Speckletone paper. Signed by Shepard Fairey. Numbered edition of 550. Comes with a Digital Certificate of Authenticity provided by Verisart. $95.
Summary
Swan Song is a 2023 Shepard Fairey screen print, 36 x 24 inches, on thick cream Speckletone recycled paper, published by Obey Clothing in a signed, numbered first edition of 550. The image is a commentary on the fragile balance of nature amid species decline, ecosystem collapse, and accelerating climate change. The piece incorporates a news clipping referencing internal Exxon-Mobil research showing the company knew for decades that burning fossil fuels warms the planet while publicly denying it. Fairey frames climate as a universal problem requiring both individual habits and corporate regulation. A portion of proceeds benefits Greenpeace USA. It includes a Verisart digital certificate of authenticity.
Why It Matters
Swan Song sits at the center of Fairey's sustained environmental advocacy, pairing his graphic vocabulary with a pointed corporate-accountability argument. By embedding an actual news clipping about Exxon-Mobil's suppressed climate research, the print does more than decorate a cause; it documents a specific act of corporate deception and asks viewers to hold industry accountable rather than only adjust personal behavior. That dual message, individual conscience plus structural regulation, distinguishes it from softer environmental imagery. The use of recycled Speckletone paper makes the medium itself part of the message, aligning production with content. The proceeds tie to Greenpeace USA reinforce the activist intent the source explicitly states. For collectors, this is a representative example of how Fairey marries fine-art screen printing with editorial argument, turning a wall piece into a statement about climate justice. Its 36 x 24 scale gives it presence, and its membership in a dense 2023 cluster of climate-themed releases makes it a useful anchor for anyone assembling a thematic environmental grouping of his work.
Collector Perspective
This print appeals to collectors who follow Fairey's environmental and activist output and who value work where the message is explicit and documented. The large 36 x 24 format and bold screen-printed treatment give it strong wall presence, suitable as a focal piece in a living or studio space. It fits naturally into a climate-themed grouping alongside his other 2023 Greenpeace-benefit releases, and the recycled paper plus Verisart certificate appeal to buyers who care about provenance and production ethics. At an accessible original price point and an edition of 550, it is positioned for collectors building breadth in Fairey's social-issue prints rather than chasing extreme scarcity. Display alongside related climate titles amplifies its narrative impact.
Historical Context
Swan Song belongs to Fairey's mature phase of environmental activism, a thread he has developed across many releases in the 2020s. Dated March 2023, it is part of a concentrated run of climate-focused prints he produced that year, many sharing the Exxon-Mobil news-clipping motif and the Greenpeace USA proceeds tie. This positions it firmly within his ongoing project of using street-art-derived imagery to press for climate regulation and corporate accountability, an evolution from his earlier OBEY and political-poster work toward issue-driven editorial printmaking. The recycled Speckletone paper and Verisart certificate reflect the contemporary standards of his Obey Giant and Obey Clothing releases. Within his arc, the piece exemplifies how Fairey increasingly fused fine-art printmaking with documented advocacy, making the environmental cause a defining subject of his later catalog.
FAQ
What is the edition size and format of Swan Song?
Swan Song is a signed, numbered first edition of 550. It measures 36 x 24 inches and is a screen print on thick cream Speckletone paper composed of recycled material. Each print comes with a digital Certificate of Authenticity provided by Verisart, per the source listing.
What is the message behind this print?
The print is a commentary on nature's fragile balance amid species decline and climate change. It includes a news clipping about Exxon-Mobil internal research showing the company knew for decades that burning fossil fuels warms the planet, while publicly denying that impact, urging both individual action and corporate regulation.
Does buying this print support a cause?
Yes. According to the source, a portion of proceeds from this print benefits Greenpeace USA to support its work fighting climate change.
Who published Swan Song?
Swan Song was published by Obey Clothing in 2023. It is a screen print signed by Shepard Fairey and numbered within the edition of 550, originally offered at 95 dollars.
Related Works
About the Artist
Shepard Fairey (b. 1970, Charleston, South Carolina) is an American street artist, graphic designer, and activist, and a graduate of the Rhode Island School of Design. His 1989 “André the Giant Has a Posse” sticker grew into the global OBEY GIANT campaign — an ongoing experiment in propaganda, obedience, and visual culture. He reached worldwide recognition with the 2008 “Hope” portrait of Barack Obama, now held by the Smithsonian National Portrait Gallery. Across screen prints, stencils, murals, and collage, Fairey channels propaganda aesthetics toward themes of peace, justice, environmentalism, and civil rights. His work is in the collections of the Museum of Modern Art, the Victoria & Albert Museum, and LACMA.






