Gauntlet Gallery
What is Shepard Fairey’s piece called “Amsterdam Icon XXX (Offset Lithograph)”?
Artist Statement
60.96 x 91.44 cm (24 x 36 inches) Offset print on thick white paper. Signed by Shepard Fairey. Open edition (unnumbered)
Summary
Amsterdam Icon XXX (Offset Lithograph) is a 2023 offset lithograph published by the Straat Museum, measuring 24 x 36 inches (60.96 x 91.44 cm) on thick white paper. The source describes it as an open, unnumbered edition signed by Shepard Fairey. It centers on the OBEY icon imagery associated with Fairey's signature visual language. Source detail is limited beyond format, dimensions, signing, and publisher, so this entry is written cautiously based on the available facts: an open-edition OBEY icon offset lithograph tied to the Straat Museum in Amsterdam.
Why It Matters
As an open-edition offset lithograph published by the Straat Museum, this print connects Fairey's enduring OBEY icon to an Amsterdam museum context. Its significance lies less in scarcity, given the open unnumbered edition, and more in accessibility and the institutional tie to Straat, a museum focused on street and graffiti art. The OBEY icon is one of the most recognizable elements of Fairey's output, rooted in his foundational visual identity, and an offset lithograph at the larger 24 x 36 inch scale offers collectors a sizeable, affordable version of that imagery. Because the source provides only format, dimensions, publisher, and signing, claims about its place in the market should stay measured. For collectors, the value proposition is a signed, large-format icon piece from a museum collaboration at an accessible price point, suited to those who want a recognizable Fairey image without the premium of a small numbered screen print. It functions as an entry-level or display-oriented acquisition within the OBEY icon lineage rather than a scarce edition.
Collector Perspective
This print appeals to collectors who want a recognizable OBEY icon image at an accessible price, and to those drawn to Fairey's museum collaborations, here with the Straat Museum in Amsterdam. As a signed open-edition offset lithograph at 24 x 36 inches, it offers large-format wall presence without the cost of a numbered screen print, making it a practical display piece. It fits an OBEY icon-focused grouping or serves as an approachable entry point for newer collectors. Because it is unnumbered and open edition, it is better suited to buyers prioritizing imagery and scale over scarcity.
Historical Context
The print extends Fairey's long-running OBEY icon imagery, the core motif of his visual identity, into a 2023 museum collaboration with the Straat Museum in Amsterdam. Its offset lithograph format and open edition place it among his accessible, widely available icon works rather than his limited screen-print editions. The Straat Museum publishing context situates it within his international institutional partnerships of the period. With limited source detail, its precise role is best described conservatively as a signed, large-format icon edition produced in conjunction with the museum.
FAQ
Is this print numbered?
No. The source states it is an open edition and unnumbered, signed by Shepard Fairey. It was published by the Straat Museum and printed as an offset lithograph on thick white paper, so it is more widely available than a limited numbered screen print.
What are the dimensions?
Per the source, the print measures 24 x 36 inches, equivalent to 60.96 x 91.44 cm. It is an offset print on thick white paper, giving it a large-format presence suitable for prominent display.
Who published this print?
The source lists the Straat Museum as the publisher. The Straat Museum is in Amsterdam, and the print's title references Amsterdam, connecting it to Fairey's collaboration with the museum.
What is the subject of the print?
The source identifies the work with OBEY iconography, Fairey's signature icon imagery, alongside his collaborations-and-pop-culture theme. Detailed description beyond format and signing is limited in the source.
Related Works
About the Artist
Shepard Fairey (b. 1970, Charleston, South Carolina) is an American street artist, graphic designer, and activist, and a graduate of the Rhode Island School of Design. His 1989 “André the Giant Has a Posse” sticker grew into the global OBEY GIANT campaign — an ongoing experiment in propaganda, obedience, and visual culture. He reached worldwide recognition with the 2008 “Hope” portrait of Barack Obama, now held by the Smithsonian National Portrait Gallery. Across screen prints, stencils, murals, and collage, Fairey channels propaganda aesthetics toward themes of peace, justice, environmentalism, and civil rights. His work is in the collections of the Museum of Modern Art, the Victoria & Albert Museum, and LACMA.