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What is Shepard Fairey’s piece called “Bee Geometric (Red)”?

Year2024
MediumScreen Print
Dimensions24 x 18 in
EditionBlue · Red
Edition size275
PublisherObey Giant
Original release price$60
SeriesEnvironmental Series
EraEnvironmental Era
Collector6/10
Visual7/10
Historical6/10
ScarcityModerate

Artist Statement

Today is World Bee Day. These "Bee Geometric" prints remind us how much our planet depends on bees as pollinators. Bees and other pollinators, such as butterflies, bats, and hummingbirds, are increasingly threatened by human activities. Pollination is, however, a fundamental process for the survival of our ecosystems. Nearly 90% of the world's wild flowering plant species depend entirely, or at least in part, on animal pollination, more than 75% of the world's food crops and 35% of global agricultural land. Not only do pollinators contribute directly to food security, but they are vital to conserving biodiversity. A portion of the proceeds from these prints will support the NRDC and its efforts on behalf of responsible environmental legislation. Thanks for caring! -Shepard Bee Geometric. 18 x 24 inches. Screen print on thick cream Speckletone paper. Signed by Shepard Fairey. Numbered edition of 275. Comes with a Digital Certificate of Authenticity provided by Verisart. A limited amount of matching numbered sets will be available for $120. Sold individually for $60.

Summary

Bee Geometric is a 2024 Shepard Fairey screen print, 18 x 24 inches, printed on thick cream Speckletone paper in a numbered edition of 275 per colorway, released in Red and Blue. Issued on World Bee Day, the print highlights how the planet depends on bees and other pollinators, noting that nearly 90% of wild flowering plant species and more than 75% of food crops rely at least in part on animal pollination. Fairey frames pollinators as increasingly threatened by human activity yet vital to food security and biodiversity. Signed by Fairey, the work includes a Verisart Digital Certificate of Authenticity, with matching numbered sets offered.

Why It Matters

Bee Geometric is a clear example of Fairey's environmental advocacy expressed through accessible, decorative imagery. By timing the release to World Bee Day and foregrounding pollinators, he turns a graphically pleasing geometric composition into a teaching tool, citing the dependence of the world's flowering plants and food crops on pollination. This pairing of striking design with concrete ecological argument is characteristic of his environmental output and gives the print educational as well as aesthetic value. The cause tie-in, with a portion of proceeds supporting the NRDC's environmental-legislation work, links the imagery to real policy advocacy. With an edition of 275 per colorway, available in Red and Blue and as matching numbered sets, the print invites set collecting while remaining attainable. For collectors assembling a focused environmental or nature-and-floral grouping, Bee Geometric offers a recognizable, single-subject piece that complements Fairey's broader ecology-themed work and documents his continued attention to biodiversity in the mid-2020s.

Collector Perspective

This print appeals to collectors who follow Fairey's environmental and nature-themed work, as well as buyers attracted to its clean geometric design and bee subject. The Red and Blue colorways and matching-set option encourage paired display and set collecting. At 18 x 24 inches in an edition of 275 per color, it is an accessible, signed, authenticated piece that works in both ecology-focused groupings and general decorative interiors. The World Bee Day framing and NRDC tie-in give it a clear conservation story that resonates with environmentally minded collectors. It fits neatly into an environmental or nature-and-floral collection and pairs well with Fairey's other pollinator and biodiversity prints.

Historical Context

Bee Geometric belongs to Fairey's sustained environmental period, in which he repeatedly addresses biodiversity, climate, and conservation through approachable imagery and named partner organizations. Released in May 2024 on World Bee Day with an NRDC proceeds tie-in, it sits within his Modern Activism-era release model. The pollinator subject connects it to his ongoing nature-and-floral work and to prints addressing biodiversity and ecological balance. By anchoring a decorative geometric design to specific ecological facts and a policy-oriented charity, Fairey continues his practice of using collectible art as an entry point for environmental advocacy.

FAQ

Why was Bee Geometric released, and what is its message?

It was released on World Bee Day to remind viewers how much the planet depends on bees and other pollinators. The source notes nearly 90% of wild flowering plant species and over 75% of food crops rely at least in part on animal pollination.

What is the edition size and medium?

Each colorway is a screen print on thick cream Speckletone paper, 18 x 24 inches, in a numbered edition of 275, signed by Fairey. Red and Blue editions were released, with matching numbered sets available and a Verisart certificate.

Does the print support a cause?

Yes. According to the source, a portion of proceeds supports the NRDC and its efforts on behalf of responsible environmental legislation.

What colorways are available?

Bee Geometric was released in Red and Blue editions. A limited number of matching numbered sets were offered, while the prints were also sold individually.

Related Works

About the Artist

Shepard Fairey portrait

Shepard Fairey (b. 1970, Charleston, South Carolina) is an American street artist, graphic designer, and activist, and a graduate of the Rhode Island School of Design. His 1989 “André the Giant Has a Posse” sticker grew into the global OBEY GIANT campaign — an ongoing experiment in propaganda, obedience, and visual culture. He reached worldwide recognition with the 2008 “Hope” portrait of Barack Obama, now held by the Smithsonian National Portrait Gallery. Across screen prints, stencils, murals, and collage, Fairey channels propaganda aesthetics toward themes of peace, justice, environmentalism, and civil rights. His work is in the collections of the Museum of Modern Art, the Victoria & Albert Museum, and LACMA.