Gauntlet Gallery
What is Shepard Fairey’s piece called “Bliss At The Cliff's Edge (Letterpress)”?
Artist Statement
Letterpress sur papier 100% coton type Velin d'Arches Édition signée et numérotée de 500 exemplaires. Tampon d'édition OBEY en bas à gauche. Dimensions : 40 x 52 cm
Summary
Bliss At The Cliff's Edge (Letterpress) is a 2024 letterpress print published with Galerie Itinerrance in a signed, numbered edition of 500, measuring 40 x 52 cm on 100% cotton Velin d'Arches-type paper. It carries the OBEY edition stamp in the lower left corner. The available source is brief, providing the medium, edition size, paper, dimensions, and publisher but no detailed description of the imagery or message. It belongs to Fairey's collaborations and pop-culture grouping within his 2024 output.
Why It Matters
Bliss At The Cliff's Edge is a French-published letterpress edition produced with Galerie Itinerrance, a Paris gallery long associated with street art. As a letterpress on 100% cotton Velin d'Arches-type paper in a numbered edition of 500, it reflects Fairey's continued use of fine-print techniques and international gallery partnerships during his contemporary period. The source material here is limited: it confirms the medium, the 40 x 52 cm dimensions, the edition of 500, the OBEY edition stamp, and the publisher, but it does not describe the subject matter or message in detail, so its significance should be read cautiously. For collectors, value lies in the tactile letterpress impression, the cotton-rag stock, and the Galerie Itinerrance provenance rather than in a documented narrative. It functions as a relatively accessible, well-made edition within Fairey's 2024 collaborations, and its modest edition size keeps it from being either ubiquitous or genuinely rare. Without further description, claims about its thematic weight should remain measured.
Collector Perspective
This print suits collectors drawn to Fairey's letterpress editions and to works tied to European galleries, here Galerie Itinerrance in Paris. The letterpress technique on 100% cotton Velin d'Arches-type paper gives a tactile, embossed quality prized by print enthusiasts, and the OBEY edition stamp confirms its place in the catalog. At a smaller 40 x 52 cm size it fits comfortably in a grouping of editioned letterpress works rather than as a large statement piece. Because the source offers limited detail on the imagery, buyers should evaluate it primarily on medium, provenance, and edition size. It pairs well with the gallery's other letterpress releases in the catalog for collectors assembling a series of these editions.
Historical Context
This 2024 release sits within Fairey's contemporary period and his ongoing relationship with international street-art galleries, in this case Galerie Itinerrance in Paris. The use of letterpress on cotton Velin d'Arches-type paper continues a technique Fairey has applied across multiple editions, and the OBEY edition stamp ties it to his broader catalog. Because the supplied source is brief and does not describe the image's subject or message, its specific place in his thematic arc cannot be stated with confidence beyond its medium, format, and publisher. It is best understood as one of several 2024 collaboration-oriented letterpress editions produced through gallery partnerships.
FAQ
What medium and paper is this print?
Bliss At The Cliff's Edge is a letterpress print produced on 100% cotton Velin d'Arches-type paper. It carries the OBEY edition stamp in the lower left corner, consistent with Fairey's editioned letterpress works.
What is the edition size and who published it?
It is a signed, numbered edition of 500, published by Galerie Itinerrance, a Paris gallery. The supplied source confirms the edition size and publisher but does not provide additional production detail.
What are the dimensions?
The print measures 40 x 52 cm. The available source provides these dimensions, the medium, the edition size, and the publisher, but does not describe the imagery in detail.
What is its release year?
It was released in 2024, placing it within Fairey's contemporary output and his ongoing work with international street-art galleries such as Galerie Itinerrance.
Related Works
About the Artist
Shepard Fairey (b. 1970, Charleston, South Carolina) is an American street artist, graphic designer, and activist, and a graduate of the Rhode Island School of Design. His 1989 “André the Giant Has a Posse” sticker grew into the global OBEY GIANT campaign — an ongoing experiment in propaganda, obedience, and visual culture. He reached worldwide recognition with the 2008 “Hope” portrait of Barack Obama, now held by the Smithsonian National Portrait Gallery. Across screen prints, stencils, murals, and collage, Fairey channels propaganda aesthetics toward themes of peace, justice, environmentalism, and civil rights. His work is in the collections of the Museum of Modern Art, the Victoria & Albert Museum, and LACMA.