Gauntlet Gallery
What is Shepard Fairey’s piece called “Lotus Angel (Offset)”?
Artist Statement
Lotus Angel. 24 x 36 inches. Offset print on thick cream Speckletone paper. Signed by Shepard Fairey. Open edition (unnumbered). $35
Summary
Lotus Angel (Offset) is a 2025 Obey Giant offset lithograph, 24 x 36 inches, printed on thick cream Speckletone paper. It is an open, unnumbered edition signed by Shepard Fairey, released at $35. The available description is brief, identifying the work primarily by its production details and its lotus-and-angel imagery, which draws on Fairey's recurring floral and decorative motifs. As an offset open edition rather than a numbered screen print, it is positioned as a more accessible, larger-format release. Source facts are limited to medium, dimensions, paper, edition type, signature, and price.
Why It Matters
Lotus Angel sits within Fairey's body of decorative, floral, and mandala-influenced imagery, where lotus and angelic motifs recur as symbols of harmony and uplift. As an offset lithograph issued as an open, unnumbered edition at a low $35 price point, the print represents the accessible tier of Fairey's output, designed to put his imagery within reach of a broader audience rather than as a limited collectible. Its larger 24 x 36 inch format gives the floral composition presence as a wall piece. For collectors, the appeal lies less in scarcity than in design and affordability: open editions like this serve as entry points for new buyers and as decorative companions to Fairey's more limited floral screen prints. Because the supplied description is sparse, interpretation is kept cautious, but the work clearly belongs to Fairey's ongoing exploration of symmetrical, ornamental floral imagery that balances his more overtly political output with visually meditative pieces.
Collector Perspective
This open-edition offset appeals to collectors and decorators drawn to Fairey's floral and decorative imagery who want an affordable, larger-format piece. At $35 and unnumbered, it is an accessible entry point rather than a scarcity play, suiting new buyers or those filling out a floral-themed grouping. Its 24 x 36 inch size makes it a statement wall piece despite the modest price. It complements Fairey's numbered lotus and floral screen prints as a companion decorative work. The artist signature adds value, though buyers should note this is an open edition with limited catalog description, so it is collected mainly for design and accessibility.
Historical Context
Released in 2025 through Obey Giant, Lotus Angel continues Fairey's long-running use of lotus, floral, and mandala-style motifs that appear throughout his decorative output. Issued as an offset lithograph in an open, unnumbered edition, it reflects his practice of pairing limited screen prints with more affordable open editions to widen access to his imagery. The large-format, low-cost approach situates it among his accessible contemporary decorative releases rather than his message-driven political prints, illustrating the ornamental, symmetry-focused side of his catalog that runs parallel to his activist work.
FAQ
What kind of print is Lotus Angel?
It is an offset lithograph measuring 24 x 36 inches, printed on thick cream Speckletone paper. Unlike Fairey's numbered screen prints, it is an open, unnumbered edition, released in 2025 at $35 and signed by Shepard Fairey.
Is this a limited edition?
No. According to the source, Lotus Angel is an open edition and is unnumbered. It is positioned as an accessible, lower-priced release rather than a scarce, numbered collectible.
What is the imagery?
The print centers on lotus and angel motifs, part of Fairey's recurring floral and decorative imagery. The supplied description is brief, so it is best understood through its title and Fairey's broader use of ornamental floral symbolism.
What size is it?
Lotus Angel measures 24 x 36 inches, making it a larger-format piece. Its size gives the floral composition substantial wall presence despite its modest $35 open-edition price.
Related Works
About the Artist
Shepard Fairey (b. 1970, Charleston, South Carolina) is an American street artist, graphic designer, and activist, and a graduate of the Rhode Island School of Design. His 1989 “André the Giant Has a Posse” sticker grew into the global OBEY GIANT campaign — an ongoing experiment in propaganda, obedience, and visual culture. He reached worldwide recognition with the 2008 “Hope” portrait of Barack Obama, now held by the Smithsonian National Portrait Gallery. Across screen prints, stencils, murals, and collage, Fairey channels propaganda aesthetics toward themes of peace, justice, environmentalism, and civil rights. His work is in the collections of the Museum of Modern Art, the Victoria & Albert Museum, and LACMA.