Gauntlet Gallery
What is Shepard Fairey’s piece called “Fan The Flames Sculpture (Gold)”?
Artist Statement
Fan The Flames (Gold), 2025 Debossed Epoxy Resin Custom Printed Box with Lid 12 in (30.48 cm)Height Limited Edition of 250 $400
Summary
Fan The Flames Sculpture (Gold) is a 2025 sculpture by Shepard Fairey, published by Beyond The Streets in a limited edition of 250, issued at $400. The source describes it as a debossed epoxy resin object standing 12 inches (30.48 cm) in height, presented in a custom printed box with a lid. The record provides limited descriptive detail beyond these specifications, listing it as a Gold edition under the collaborations-and-pop-culture theme. As a three-dimensional object rather than a print, it translates Fairey's 'Fan The Flames' imagery into a sculptural, boxed collectible form.
Why It Matters
This piece is notable as a sculptural object rather than one of Fairey's standard prints, translating his 'Fan The Flames' imagery into debossed epoxy resin presented as a boxed, gold-finish collectible. Published by Beyond The Streets, a well-known platform for street and urban art, it reflects Fairey's continued movement into three-dimensional editioned objects, a format that broadens how his iconography is collected and displayed. At 12 inches tall and an edition of 250, it sits in the more exclusive, higher-priced segment of his output at $400, with the custom printed box adding to its presentation as a designed object. While the source provides limited narrative detail, the work's significance rests on its medium and its place among Fairey's sculpture editions, which the related candidates show include other gold-finish sculptural and object-based pieces. For collectors, it offers a tactile, display-ready alternative to wall art and demonstrates how Fairey extends recognizable motifs across formats, making it a focused addition for those building a collection that spans his prints and three-dimensional works.
Collector Perspective
This sculpture appeals to collectors who want three-dimensional Fairey works and display objects rather than wall art. The debossed epoxy resin form, gold finish, and custom printed box make it a presentation-ready collectible that stands apart from his prints, and its Beyond The Streets publication adds appeal for those who follow that platform's urban-art releases. At 12 inches tall and an edition of 250, it works as a shelf or pedestal piece and pairs with Fairey's other sculptural editions. At $400 it sits at a higher price point than most of his prints, suiting collectors investing in the object-based corner of his catalog. The limited source detail means buyers may want to confirm the specific imagery before purchase.
Historical Context
Fan The Flames Sculpture (Gold) belongs to Fairey's growing body of three-dimensional editioned objects, here produced with Beyond The Streets, an organization closely associated with street and graffiti art culture. As a 2025 debossed epoxy resin sculpture in a gold finish, presented in a custom printed box, it continues his expansion beyond screen prints and letterpress into collectible objects, a direction the related candidates suggest includes other gold sculptural editions such as the Peace Fingers Sculpture. The source offers limited narrative context, so the work is best understood through its medium, edition size, and its place within Fairey's sculpture output rather than a detailed artist statement, situating it among his contemporary object-based releases.
FAQ
What material is this sculpture made of?
According to the source, Fan The Flames (Gold) is made of debossed epoxy resin. It stands 12 inches (30.48 cm) in height and comes in a custom printed box with a lid, presenting it as a boxed collectible object rather than a wall-hung print.
What is the edition size and price?
The source states it is a limited edition of 250, published by Beyond The Streets in 2025, issued at $400. It was released as a Gold edition, the only colorway listed in the record.
Who published this sculpture?
It was published by Beyond The Streets, an organization associated with street and urban art. This places the work within Fairey's collaborations and his expansion into three-dimensional editioned objects beyond his prints.
How large is the sculpture?
The source lists its height as 12 inches (30.48 cm). Width and other dimensions are not provided in the record, which gives limited descriptive detail beyond the material, height, edition, and presentation in a custom printed box.
Related Works
About the Artist
Shepard Fairey (b. 1970, Charleston, South Carolina) is an American street artist, graphic designer, and activist, and a graduate of the Rhode Island School of Design. His 1989 “André the Giant Has a Posse” sticker grew into the global OBEY GIANT campaign — an ongoing experiment in propaganda, obedience, and visual culture. He reached worldwide recognition with the 2008 “Hope” portrait of Barack Obama, now held by the Smithsonian National Portrait Gallery. Across screen prints, stencils, murals, and collage, Fairey channels propaganda aesthetics toward themes of peace, justice, environmentalism, and civil rights. His work is in the collections of the Museum of Modern Art, the Victoria & Albert Museum, and LACMA.