Gauntlet Gallery
What is Shepard Fairey’s piece called “Pixies Royal Albert (Blue)”?
Artist Statement
24" H x 18" W. Screen print on 80# cream Speckletone paper. Signed by Shepard Fairey. Numbered edition of 300. Comes with a Digital Certificate of Authenticity provided by Verisart.
Summary
Pixies Royal Albert (Blue) is a 2026 screen print by Shepard Fairey, published by Obey Giant. It measures 24" H x 18" W and is printed on 80# cream Speckletone paper. The work is signed by Shepard Fairey and issued as a numbered edition of 300, with a Verisart Digital Certificate of Authenticity. It was released at $78 and exists in Blue and Mauve colorway editions. The source description is limited to production and edition details, so this entry reads as a music-related collaboration print tied to the band Pixies, presented in Fairey's screen-print format.
Why It Matters
Pixies Royal Albert (Blue) is meaningful primarily as part of Shepard Fairey's long engagement with music culture and his collaborations with bands and music venues. The title references Pixies and Royal Albert, situating the print within his catalog of music-related editions that have made his work a fixture in the poster and music-art collecting world. Issued in a numbered edition of 300, signed, and authenticated through Verisart, it carries the documentation collectors expect from an Obey Giant release. The availability of two colorways, Blue and Mauve, adds collectible variety and gives enthusiasts a reason to pursue both. While the supplied description is limited to specifications rather than artist commentary, the print's value rests on the intersection of a recognizable alternative-rock band and Fairey's distinctive graphic style. For music-poster collectors and Fairey followers, this print extends a consistent thread in his output and offers an accessible entry point at its release price. Its specifics beyond the edition data are not detailed in the source, so claims about imagery or messaging should remain cautious.
Collector Perspective
This print suits music-poster collectors, Pixies fans, and Fairey enthusiasts who follow his band and venue collaborations. At 24" x 18" it displays well in a music room or gallery wall, and the Blue colorway pairs naturally with the Mauve edition for collectors who like to acquire variant sets. The edition of 300, artist signature, and Verisart Digital Certificate of Authenticity provide the provenance many buyers want, while the release price makes it a relatively accessible Fairey acquisition. It fits a collection organized around music and counterculture themes, sitting alongside his other concert, band, and tour prints as part of a coherent music-focused grouping.
Historical Context
Pixies Royal Albert (Blue) falls within Shepard Fairey's ongoing music-related print practice, a strand of his work that has long connected his graphic style to bands, tours, and venues. Released in 2026 through Obey Giant in a signed, numbered edition of 300 with Verisart authentication, it follows his established screen-print conventions on Speckletone paper. The two-colorway structure of Blue and Mauve is typical of how Fairey offers variant editions. Because the source provides only production details rather than artist commentary, its precise place within his music catalog is best described in general terms: it continues his consistent output of music-tied editions rather than marking a documented departure or milestone.
FAQ
What are the specifications of Pixies Royal Albert (Blue)?
It measures 24 inches high by 18 inches wide and is a screen print on 80# cream Speckletone paper. It was published by Obey Giant in 2026 and released at $78.
Is the print signed and numbered?
Yes. The print is signed by Shepard Fairey and issued as a numbered edition of 300. It comes with a Digital Certificate of Authenticity provided by Verisart.
Are there other colorways?
Yes. The source lists Blue and Mauve editions, so this Blue version has a companion Mauve colorway of the same Pixies Royal Albert print.
What is known about the imagery?
The supplied description covers only edition and production details, not the artwork's specific imagery. The title references Pixies and Royal Albert, placing it within Fairey's music-related collaboration prints.
Related Works
About the Artist
Shepard Fairey (b. 1970, Charleston, South Carolina) is an American street artist, graphic designer, and activist, and a graduate of the Rhode Island School of Design. His 1989 “André the Giant Has a Posse” sticker grew into the global OBEY GIANT campaign — an ongoing experiment in propaganda, obedience, and visual culture. He reached worldwide recognition with the 2008 “Hope” portrait of Barack Obama, now held by the Smithsonian National Portrait Gallery. Across screen prints, stencils, murals, and collage, Fairey channels propaganda aesthetics toward themes of peace, justice, environmentalism, and civil rights. His work is in the collections of the Museum of Modern Art, the Victoria & Albert Museum, and LACMA.