Gauntlet Gallery
What is Shepard Fairey’s piece called “Stoked (Offset Lithograph)”?
Artist Statement
Shepard Fairey Stoked, 2003 Offset poster 17 x 11 inches
Summary
Stoked (Offset Lithograph) is a 2003 offset poster by Shepard Fairey, published by Iconoclast Editions at 11 x 17 inches. The source description confirms the title, year, offset-lithograph medium, and dimensions, but no edition size or price is recorded. As an offset print rather than a hand-pulled screen print, it is a smaller, more affordable poster format within Fairey's output. The work carries his characteristic graphic design sensibility at a compact scale, representing the lithographic, broadly distributed side of his print production from the early 2000s.
Why It Matters
Stoked illustrates the offset-lithograph strand of Fairey's practice, distinct from his hand-pulled screen prints. Published by Iconoclast Editions rather than Obey Giant, it represents the more widely distributed, accessible poster format he used alongside his limited screen-print editions. The 11 x 17 inch size and offset process typically make such works more affordable entry points into his catalog, broadening who can own a Fairey piece. Because the source gives no edition size, claims about rarity are withheld; the entry stays grounded in the documented facts of medium, dimensions, publisher, and year. Its significance lies less in scarcity and more in showing the full range of Fairey's production methods during a prolific period, when offset posters extended his imagery to a wider audience while screen prints served the collector market. For buyers, the appeal is an accessible, compact Fairey work with his recognizable graphic style. It rounds out an understanding of how he balanced mass-distributable posters with limited fine-art editions in the early 2000s.
Collector Perspective
This poster appeals to newer or budget-conscious collectors seeking an accessible entry into Fairey's work, since offset lithographs are generally more affordable than his screen prints. At 11 x 17 inches it is a compact, easily framed piece that suits smaller spaces or a poster-style display. Collectors interested in the breadth of Fairey's production, including his Iconoclast Editions and offset output, will value it for completeness. Because no edition size is recorded, buyers should confirm production details and condition before purchase. It fits a collection focused on accessible Fairey graphics rather than scarcity-driven acquisitions, and pairs with other 2003 works for context.
Historical Context
Dated 2003 and published by Iconoclast Editions, Stoked represents the offset-poster side of Fairey's prolific early-2000s output, parallel to his Obey Giant screen prints. Offset lithography let him distribute imagery more broadly and affordably, complementing the limited editions aimed at collectors. The piece reflects how Fairey operated across multiple print methods and publishers during this period, balancing mass reach with fine-art scarcity. Within his arc it underscores the dual-track production, accessible posters and limited screen prints, that characterized his work as the OBEY brand and his gallery presence both expanded.
FAQ
What kind of print is Stoked?
Stoked is an offset lithograph, also described as an offset poster, dated 2003 and published by Iconoclast Editions. It measures 11 x 17 inches. As an offset print rather than a hand-pulled screen print, it represents the more widely distributed poster side of Fairey's output.
What is the edition size?
The source does not record an edition size or price for this print, so we do not state a specific number or claim rarity. The documented details are the title, the 2003 date, the offset-lithograph medium, the publisher, and the 11 x 17 inch dimensions.
Who published it?
Stoked was published by Iconoclast Editions rather than Obey Giant. This reflects Fairey's work across multiple publishers and print methods in the early 2000s, with offset posters offering a more accessible format alongside his limited screen-print editions.
Related Works
About the Artist
Shepard Fairey (b. 1970, Charleston, South Carolina) is an American street artist, graphic designer, and activist, and a graduate of the Rhode Island School of Design. His 1989 “André the Giant Has a Posse” sticker grew into the global OBEY GIANT campaign — an ongoing experiment in propaganda, obedience, and visual culture. He reached worldwide recognition with the 2008 “Hope” portrait of Barack Obama, now held by the Smithsonian National Portrait Gallery. Across screen prints, stencils, murals, and collage, Fairey channels propaganda aesthetics toward themes of peace, justice, environmentalism, and civil rights. His work is in the collections of the Museum of Modern Art, the Victoria & Albert Museum, and LACMA.