Gauntlet Gallery
What is Shepard Fairey’s piece called “Giant Glow (First Edition)”?
Artist Statement
Screen Print 18 x 24 inches Edition of 100
Summary
Giant Glow (First Edition) is a 1997 screen print published by Obey Giant, measuring 18 x 24 inches; the record's description states an edition of 100, though the structured edition-count field is blank. The work features Fairey's core OBEY Giant iconography, rendered in his early propaganda-poster style with bold graphic framing. As an early hand-pulled screen print, it belongs to his foundational late-1990s output that translated the OBEY street campaign into collectible editions. The print centers the Andre the Giant-derived Giant face motif that anchors the OBEY brand's visual identity.
Why It Matters
Giant Glow sits at the heart of Fairey's identity as an artist, foregrounding the OBEY Giant face that grew out of his late-1980s sticker campaign and became his signature emblem. Produced in 1997 as an early Obey Giant screen print, it shows him converting the street icon into editioned fine art while keeping the propaganda framing that gives the OBEY project its satirical edge. For collectors, works centered on the Giant face carry outsized importance because they represent the brand's core iconography rather than an appropriated outside subject. The print's secondary OBEY-iconography theme in the source data confirms this focus. Its significance rests on that iconographic centrality and its early date. The structured edition field is blank while the description states an edition of 100, a discrepancy noted in the flags; absent confirmation, claims about scarcity stay cautious. No pricing, signature, or market data appears in the source, so importance here is grounded in subject and period.
Collector Perspective
Giant Glow appeals to collectors who prioritize core OBEY iconography over appropriated subjects, since it centers the Giant face that defines Fairey's brand. As an early 1997 Obey Giant print, it serves as a foundational piece for anyone building a representative Fairey collection. Its bold, recognizable motif makes it a confident focal point on a wall and a natural anchor for a grouping of OBEY-icon works. It pairs well with other Giant-face and OBEY-branded prints from the same period. The 18 x 24 inch format frames conventionally. Collectors should note the edition-size discrepancy in the record when assessing rarity.
Historical Context
Giant Glow dates to 1997, when Fairey was building editioned prints around the OBEY Giant emblem that originated in his late-1980s Andre the Giant sticker campaign. The work belongs to the formative Obey Giant period in which the street icon was reframed as collectible art while retaining its propaganda styling. It sits among the 1997-era prints that consolidated the Giant face as Fairey's central visual signature before his Obama-era breakthrough. Within his arc, Giant Glow exemplifies the self-referential core of the OBEY project: imagery about commanding attention and obedience, built on the artist's own invented icon rather than a borrowed political figure.
FAQ
When was Giant Glow released?
Giant Glow (First Edition) was released in 1997 and published by Obey Giant, Shepard Fairey's print imprint. It is part of his foundational late-1990s body of screen prints.
What is the edition size?
The record's description states an edition of 100, but the structured edition-count field is left blank. Because of this discrepancy, the exact edition size should be confirmed before relying on it.
What medium and dimensions?
It is a screen print measuring 18 x 24 inches, as listed in the source. It was produced as a hand-pulled screen print in Fairey's early propaganda style.
What is the subject?
The print centers on the OBEY Giant face, the icon derived from Andre the Giant that defines Fairey's brand. The source also tags OBEY iconography as a theme of the work.
Related Works
About the Artist
Shepard Fairey (b. 1970, Charleston, South Carolina) is an American street artist, graphic designer, and activist, and a graduate of the Rhode Island School of Design. His 1989 “André the Giant Has a Posse” sticker grew into the global OBEY GIANT campaign — an ongoing experiment in propaganda, obedience, and visual culture. He reached worldwide recognition with the 2008 “Hope” portrait of Barack Obama, now held by the Smithsonian National Portrait Gallery. Across screen prints, stencils, murals, and collage, Fairey channels propaganda aesthetics toward themes of peace, justice, environmentalism, and civil rights. His work is in the collections of the Museum of Modern Art, the Victoria & Albert Museum, and LACMA.





