Gauntlet Gallery
What is Shepard Fairey’s piece called “Mark Of The Giant (First Edition)”?
Artist Statement
MARK OF THE GIANT Screen Print 18 x 24 inches Edition of 100
Summary
Mark Of The Giant is a 1997 screen print by Shepard Fairey, published by Obey Giant in a First Edition of 100, measuring 18 x 24 inches on paper. The record places it under collaborations/pop culture with secondary OBEY iconography, indicating it foregrounds the Andre the Giant / OBEY mark at the heart of Fairey's early project. As one of many editioned screen prints from his late-1990s studio output, it belongs to the cohort that codified the OBEY visual identity. Source detail is limited to title, medium, dimensions, and edition size.
Why It Matters
Mark Of The Giant sits squarely in the 1997 wave of Obey Giant screen prints that consolidated Fairey's iconography, and its title points directly at the 'mark' or brand-image logic underpinning the whole OBEY enterprise. The record's OBEY iconography tag signals that this print is about the symbol itself, the recurring face and star that Fairey deployed as a study in propaganda mechanics and the manufacture of recognition. With an edition of 100, it is a limited early piece whose scarcity follows from the print run, not merely from its date. For collectors tracing how the OBEY identity hardened into a repeatable visual language, this title is a useful node: it names the very act of marking that the project explored. Because the source description is sparse, claims about specific imagery should remain cautious; what is firmly grounded is the 1997 date, the screen-print medium, the 18 x 24 format, and the edition of 100. Its importance is best understood collectively, as part of the early iconographic build-out, and its appeal rests on completeness within an early-OBEY collection plus the limited edition size.
Collector Perspective
This print appeals to collectors focused on Fairey's core OBEY iconography and the early 1997 Obey Giant editions. The title's emphasis on the 'mark' makes it a thematically clean pick for anyone documenting how Fairey's brand-image became a deliberate motif. At an edition of 100 it is relatively scarce among early works, and the 18 x 24 format frames and groups easily with its 1997 contemporaries. Because the source offers little visual description, the date, OBEY-icon focus, and small edition are the dependable points to lead with. It fits a chronological collection built around the emergence of the OBEY identity.
Historical Context
Published by Obey Giant in 1997 in an edition of 100, Mark Of The Giant belongs to Fairey's early studio-edition era, when the OBEY campaign was producing a steady stream of screen prints centered on the Andre the Giant face and star. Its secondary OBEY iconography tag and its title align it with the project's foundational concern: making a mark recognizable through repetition. It sits in the same 1997 cluster as its related early prints, a period of prolific output that established the visual vocabulary Fairey carried into later decades. As a small-edition early work, it documents the formative codification of the OBEY identity.
FAQ
What is Mark Of The Giant?
Mark Of The Giant is a 1997 screen print by Shepard Fairey, published by Obey Giant. It measures 18 x 24 inches on paper and was issued in a First Edition of 100, foregrounding the Andre the Giant / OBEY mark per the record's iconography tag.
How large is the edition?
The record lists a First Edition of 100. That small print run makes it a comparatively limited early Obey Giant work from 1997.
What are its dimensions and medium?
It is a screen print on paper measuring 18 inches wide by 24 inches high, published by Obey Giant in 1997.
What is the print about?
The record tags it under collaborations/pop culture and OBEY iconography. Its title points to the OBEY 'mark' itself, the repeated face-and-star image Fairey used as a study in branding and recognition.
Related Works
About the Artist
Shepard Fairey (b. 1970, Charleston, South Carolina) is an American street artist, graphic designer, and activist, and a graduate of the Rhode Island School of Design. His 1989 “André the Giant Has a Posse” sticker grew into the global OBEY GIANT campaign — an ongoing experiment in propaganda, obedience, and visual culture. He reached worldwide recognition with the 2008 “Hope” portrait of Barack Obama, now held by the Smithsonian National Portrait Gallery. Across screen prints, stencils, murals, and collage, Fairey channels propaganda aesthetics toward themes of peace, justice, environmentalism, and civil rights. His work is in the collections of the Museum of Modern Art, the Victoria & Albert Museum, and LACMA.





