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What is Shepard Fairey’s piece called “Henry Rollins Frequent Flyer Tour”?

Year2010
MediumScreen Print
Dimensions24 x 18 in
EditionFirst Edition
Edition size225
PublisherObey Giant
Original release price$45
SeriesMusic Series
EraMusic Era
Collector5/10
Visual6/10
Historical5/10
ScarcityScarce

Artist Statement

This is the latest Henry Rollins tour poster designed by Shepard Fairey. 18 x 24? Screen Print, $45, Signed and Numbered Edition of 225 For Release on 2/19/2010

Summary

Henry Rollins Frequent Flyer Tour is an 18 x 24 inch screen print published by Obey Giant in 2010, a signed and numbered first edition of 225 released February 19, 2010 at $45. Designed by Shepard Fairey as a tour poster for Henry Rollins, the print applies Fairey's bold graphic poster vocabulary to a music-and-spoken-word figure. It functions as a promotional tour poster translated into a collectible fine-art screen print. As a music collaboration piece, it reflects Fairey's long engagement with punk and counterculture figures, packaging a working tour graphic into a limited, signed edition for collectors.

Why It Matters

Fairey's roots are in punk and skate culture, and his music posters are where that lineage is most visible. Henry Rollins, frontman of Black Flag and the Rollins Band and a fixture of American hardcore, is exactly the kind of counterculture figure Fairey returns to throughout his career. This 2010 tour poster sits within a recurring Rollins thread in Fairey's catalog, alongside later works like Rollins 50 and a 2016 Rollins tour poster, making it part of a small ongoing artist-subject relationship rather than a one-off. As a functional tour poster issued in a limited signed edition of 225, it bridges Fairey's commercial design work and his fine-art print practice, a duality central to his identity. For music collectors, it carries dual significance: a Fairey graphic and a Rollins artifact. The relatively small edition of 225 makes it less abundant than many of his concurrent music prints. It rewards collectors building a music-and-counterculture wing of a Fairey collection, and it documents the continuing intersection of Fairey's visual language with the punk and hardcore figures who shaped his early sensibility.

Collector Perspective

This appeals to collectors of Fairey's music output and to fans of Henry Rollins and American hardcore punk specifically. The bold poster format displays well and reads clearly from a distance, making it a strong wall piece in a music-themed collection or among other tour posters. Collectors tracking Fairey's recurring subjects may pair it with the later Rollins 50 and 2016 Rollins tour prints to assemble a focused Rollins sub-series. At a 24 x 18 inch portrait format and an edition of 225, it is a mid-sized, accessible collectible. It fits a collection organized around Fairey's collaborations with musicians and counterculture figures rather than his political work.

Historical Context

Released February 19, 2010, this poster falls in Fairey's busy 2009 to 2011 stretch of music and collaboration prints. Henry Rollins connects Fairey directly to the hardcore-punk scene that informed his early aesthetic, and the print is one of several Rollins-related works he produced over the years. It belongs to a broader cohort of tour and band posters from this period, including Iggy and the Stooges and Joe Strummer pieces, that show Fairey functioning as both poster designer and fine artist. Within his arc, the work reinforces the through-line from his punk and skate origins to his mature practice, demonstrating how he repeatedly channels music-world figures into limited, signed editions.

FAQ

Who designed this poster and for whom?

Shepard Fairey designed it as the latest Henry Rollins tour poster, published by Obey Giant. It translates a working tour graphic into a signed, numbered limited-edition screen print.

What is the edition size and price?

It is a signed and numbered first edition of 225, released February 19, 2010 at an original price of $45.

What are the dimensions and medium?

The print is an 18 x 24 inch screen print in a vertical poster format suited to tour-poster presentation.

How does it fit Fairey's broader work?

It is part of Fairey's ongoing music and counterculture output and connects to other Rollins-related prints he produced, reflecting his roots in punk and hardcore culture.

Related Works

About the Artist

Shepard Fairey portrait

Shepard Fairey (b. 1970, Charleston, South Carolina) is an American street artist, graphic designer, and activist, and a graduate of the Rhode Island School of Design. His 1989 “André the Giant Has a Posse” sticker grew into the global OBEY GIANT campaign — an ongoing experiment in propaganda, obedience, and visual culture. He reached worldwide recognition with the 2008 “Hope” portrait of Barack Obama, now held by the Smithsonian National Portrait Gallery. Across screen prints, stencils, murals, and collage, Fairey channels propaganda aesthetics toward themes of peace, justice, environmentalism, and civil rights. His work is in the collections of the Museum of Modern Art, the Victoria & Albert Museum, and LACMA.