Gauntlet Gallery
What is Shepard Fairey’s piece called “May Day Flag”?
Artist Statement
18 x 24? Offset print, Signed and Numbered edition of 600, $35 Release Date: 5/1/2010
Summary
May Day Flag is an 18 x 24 inch offset lithograph published by Obey Giant in 2010, a signed and numbered first edition of 600 released May 1, 2010 at $35. Issued specifically on May Day, the print ties its subject to International Workers' Day and the labor movement, rendered in Fairey's bold graphic poster style. As an offset lithograph in a comparatively large edition of 600 at a low price point, it was among the most accessible releases of its moment. The source provides edition, format, and release details; the precise flag imagery is implied by the title and timing rather than fully described.
Why It Matters
May Day Flag connects directly to International Workers' Day through both its title and its May 1 release date, situating it within Fairey's recurring engagement with labor and social-justice themes. The flag motif evokes solidarity and collective action, the kind of populist imagery Fairey often deploys, and the deliberate timing of the release gives the work a clear thematic anchor. As an offset lithograph rather than a screen print, issued in a larger edition of 600 at a modest $35, it was designed for broad accessibility, consistent with the democratic, poster-for-the-people ethos that runs through Fairey's practice. That accessibility makes it an easy entry point for collectors interested in his political and labor-themed output. Because the source documents the format, edition, and timing but not the detailed imagery, collectors should read the specific visual content cautiously and lean on the title and release date for thematic context. Still, the May Day framing places the print firmly within Fairey's tradition of art tied to workers' movements and collective struggle, and its affordability and larger edition make it a practical, message-aligned addition to a collection focused on his labor and political work.
Collector Perspective
This print appeals to collectors of Fairey's political and labor-themed work and to those drawn to imagery of solidarity and collective action. As an affordable offset lithograph from a larger edition of 600, it is one of the more attainable pieces in this group, suiting newer collectors or those broadening a political-themed collection without chasing scarce editions. The May Day framing gives it clear thematic purpose, and the bold poster format displays well. At 18 x 24 inches it is an easy-to-frame size. It fits a collection organized around Fairey's labor, social-justice, and political output, though buyers should note the source describes format and timing more than specific imagery, so the visual details are best confirmed independently.
Historical Context
Released on May 1, 2010, May Day Flag is timed to International Workers' Day, anchoring it to the labor movement and to Fairey's recurring social-justice themes. As an offset lithograph in a larger, lower-priced edition, it reflects his interest in widely accessible, poster-style work in the populist tradition of political printmaking. It sits within his dense 2010 Obey Giant output alongside music, pattern, and commentary prints, representing the labor and solidarity strand of his practice. Because the source documents edition, format, and release timing rather than detailed imagery, its precise iconography is not established here, and its historical reading rests mainly on the May Day framing and its fit within Fairey's tradition of activist poster art.
FAQ
Why is it called May Day Flag?
The print was released on May 1, 2010, May Day or International Workers' Day, tying its flag imagery and title to the labor movement and themes of solidarity and collective action.
What is the medium and edition size?
It is an offset lithograph, signed and numbered in an edition of 600, released May 1, 2010 at an original price of $35, published by Obey Giant.
What are the dimensions?
The print measures 18 x 24 inches, a poster-style format consistent with Fairey's accessible, message-forward political work.
Is this print rare?
With an edition of 600 and a low original price, it is one of the more accessible and less scarce releases in this group, making it relatively easy to acquire.
Related Works
About the Artist
Shepard Fairey (b. 1970, Charleston, South Carolina) is an American street artist, graphic designer, and activist, and a graduate of the Rhode Island School of Design. His 1989 “André the Giant Has a Posse” sticker grew into the global OBEY GIANT campaign — an ongoing experiment in propaganda, obedience, and visual culture. He reached worldwide recognition with the 2008 “Hope” portrait of Barack Obama, now held by the Smithsonian National Portrait Gallery. Across screen prints, stencils, murals, and collage, Fairey channels propaganda aesthetics toward themes of peace, justice, environmentalism, and civil rights. His work is in the collections of the Museum of Modern Art, the Victoria & Albert Museum, and LACMA.




