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What is Shepard Fairey’s piece called “Universal Personhood”?

Year2013
MediumScreen Print
Dimensions24 x 18 in
EditionFirst Edition
Edition size450
PublisherObey Giant
Original release price$45
SeriesPortrait Series
EraContemporary Era
Collector5/10
Visual5/10
Historical5/10
ScarcityModerate

Artist Statement

Universal Personhood 18 x 24 inches Edition of 450 $45

Summary

Universal Personhood is a 2013 screen print measuring 18 x 24 inches, published by Obey Giant as a First Edition of 450 at $45. The record provides only minimal descriptive detail: title, dimensions, edition size and price. Beyond these source facts, the print's specific imagery and message are not described in the supplied data, so it is documented here primarily by its medium, format and edition. It belongs to Fairey's 2013 Obey Giant output and shares a title and concept with later related releases in his catalogue.

Why It Matters

Universal Personhood is recorded here with limited descriptive source material, so its significance is framed cautiously and grounded in what the record confirms. The title itself points to themes of shared human dignity and equal standing that recur across Fairey's socially engaged work, but the supplied data does not detail the specific imagery or statement, so those readings remain interpretive rather than documented. What the record does establish is that the print became the seed of a small recurring strand in Fairey's catalogue: related candidates include a Universal Personhood Set, an artist proof, and a later Lisbon version, indicating the concept was revisited over several years. For collectors, that continuity is the clearest reason the original 2013 edition matters, as it represents the first appearance of an idea Fairey returned to. As a standard 18 x 24 inch Obey Giant screen print in an edition of 450, it fits the accessible, mid-size format common to his releases of this period. Its importance should be weighed modestly given the thin source description, with appeal resting on its place as the originating version of the Universal Personhood concept.

Collector Perspective

This print suits collectors who follow Fairey's recurring concepts and want the originating 2013 version of Universal Personhood, which he later revisited in a set, an artist proof and a Lisbon edition. At 18 x 24 inches in an edition of 450, it is an accessible, standard-format Obey Giant screen print that fits comfortably alongside other works from the period. Because the supplied description is sparse, buyers drawn to it tend to value its place within the Universal Personhood strand and its connection to related releases rather than a documented narrative. It works best in a collection organized around Fairey's themes of human dignity or around tracking a single concept across its later iterations.

Historical Context

Released in 2013 under Obey Giant, Universal Personhood belongs to a prolific stretch of Fairey's editioned screen-print output. While the supplied record does not detail its imagery, the title aligns with the themes of equality and shared humanity that thread through his catalogue. Its significance within his arc is reinforced by the later works that share the name, including a set, an artist proof and a Lisbon version, suggesting the concept resonated enough to be revisited. The original edition thus marks the first appearance of a motif Fairey continued to develop, situating it as a starting point within an ongoing series rather than a one-off release.

FAQ

What are the print's specifications?

According to the source, Universal Personhood is an 18 x 24 inch screen print, published by Obey Giant as a First Edition of 450, priced at $45. The supplied record provides these core facts but limited additional description of the imagery.

Is this part of a series?

The related works suggest so. The catalogue includes a Universal Personhood Set (2015), an artist proof, and a Universal Personhood Lisbon (2018), indicating Fairey revisited the concept over several years. This 2013 edition is the originating version of that title.

How large is the edition?

The source lists a First Edition of 450 prints. At that edition size, it is a moderately scaled release typical of Fairey's accessible Obey Giant screen prints from this period.

Who published this print?

According to the source, it was published by Obey Giant, Fairey's own studio and imprint, which issued many of his signed and numbered screen prints during this era.

Related Works

About the Artist

Shepard Fairey portrait

Shepard Fairey (b. 1970, Charleston, South Carolina) is an American street artist, graphic designer, and activist, and a graduate of the Rhode Island School of Design. His 1989 “André the Giant Has a Posse” sticker grew into the global OBEY GIANT campaign — an ongoing experiment in propaganda, obedience, and visual culture. He reached worldwide recognition with the 2008 “Hope” portrait of Barack Obama, now held by the Smithsonian National Portrait Gallery. Across screen prints, stencils, murals, and collage, Fairey channels propaganda aesthetics toward themes of peace, justice, environmentalism, and civil rights. His work is in the collections of the Museum of Modern Art, the Victoria & Albert Museum, and LACMA.