Gauntlet Gallery
What is Shepard Fairey’s piece called “The Beauty Of Liberty And Equality (Austin Mural Version)”?
Artist Statement
Offset print by Sandra Chevrier X Shepard Fairey, photo by Jon Furlong. The year 2020 marks the 100th anniversary of the passage of the 19th Amendment, guaranteeing and protecting women's constitutional right to vote. This historic centennial offers an unparalleled opportunity to commemorate a milestone of democracy and to explore its relevance to the issues of equal rights today. The Women's Vote Centennial Initiative, a collaboration of women-centered institutions, organizations, and scholars from across the US, works to ensure that this anniversary, and the 72-year fight to achieve it, are commemorated and celebrated throughout the United States. 24" x 18" Signed by both artists Comes with a certificate of authenticity Edition of 500 Offset print Mural photo by Jon Furlong
Summary
The Beauty Of Liberty And Equality (Austin Mural Version) is a 2020 offset lithograph collaboration between Sandra Chevrier and Shepard Fairey, published by Station 16 in a numbered edition of 500 at 24 x 18 inches. The image, photographed by Jon Furlong from a mural, was released to mark the 100th anniversary of the 19th Amendment, which guaranteed women's constitutional right to vote. It is signed by both artists and comes with a certificate of authenticity. Merging Chevrier's comic-mask portraiture with Fairey's graphic style, the print commemorates a centennial of women's suffrage and connects that milestone to ongoing equal-rights concerns.
Why It Matters
This print stands out as a documented two-artist collaboration between Sandra Chevrier and Shepard Fairey, capturing an Austin mural through Jon Furlong's photography and tying it to a specific historic anniversary: the 2020 centennial of the 19th Amendment. The source explicitly connects the work to the Women's Vote Centennial Initiative and the long fight for women's suffrage, giving the image clear civic weight beyond decoration. For collectors, the combination of two recognizable artistic voices, a numbered edition of 500, dual signatures, and an included certificate of authenticity makes it a notably well-credentialed object within Fairey's collaborative output. The blending of Chevrier's signature comic-mask female portraiture with Fairey's bold graphic vocabulary produces a hybrid image that neither artist would make alone, which is precisely what collaboration collectors seek. It also documents the practice of translating large public murals into collectible editions, a recurring strategy in Fairey's career. Its importance rests on the convergence of theme, partnership, and occasion: a commemorative work that marks a democratic milestone while uniting two artists known for politically and emotionally charged portraiture, anchored to a verifiable centennial moment in 2020.
Collector Perspective
This work appeals to collectors of Shepard Fairey collaborations and to admirers of Sandra Chevrier's comic-mask portraiture, as well as to those building collections around women's rights and suffrage themes. The numbered edition of 500, dual artist signatures, and included certificate of authenticity make it attractive to collectors who prioritize provenance and credentials. At 24 x 18 inches it frames well as a focal portrait piece, and its mural origin adds a public-art dimension. It fits a women-and-leadership or collaboration-focused grouping particularly well, offering both visual richness and a clear commemorative narrative around the 19th Amendment centennial.
Historical Context
Released in 2020, this print marks the 100th anniversary of the 19th Amendment and is tied by the source to the Women's Vote Centennial Initiative, situating it within a wider commemorative effort honoring women's suffrage. As a Sandra Chevrier x Shepard Fairey collaboration published by Station 16 and photographed from a mural by Jon Furlong, it exemplifies Fairey's recurring practice of partnering with other artists and converting monumental public works into editioned collectibles. It belongs to the Modern Activism phase of his career, where civic milestones and equal-rights themes drive subject matter. The dual signatures and certificate of authenticity reflect the more formalized publishing standards around his collaborative editions of this period.
FAQ
Who collaborated on this print?
The Beauty Of Liberty And Equality (Austin Mural Version) is a collaboration between Sandra Chevrier and Shepard Fairey, published by Station 16 in 2020. The mural was photographed by Jon Furlong, and the print is signed by both artists and comes with a certificate of authenticity.
What is the edition size?
The print is a numbered offset edition of 500, measuring 24 x 18 inches. It is signed by both Sandra Chevrier and Shepard Fairey and includes a certificate of authenticity, per the source description.
What occasion does it commemorate?
Per the source, 2020 marked the 100th anniversary of the 19th Amendment, which guaranteed women's constitutional right to vote. The print commemorates this centennial and is connected to the Women's Vote Centennial Initiative, exploring the relevance of that milestone to equal-rights issues today.
Is this the same as the mural?
The print is an offset edition derived from an Austin mural, with the mural photographed by Jon Furlong. It translates the public artwork into a numbered, signed collectible while preserving the collaborative imagery created by Chevrier and Fairey.
Related Works
About the Artist
Shepard Fairey (b. 1970, Charleston, South Carolina) is an American street artist, graphic designer, and activist, and a graduate of the Rhode Island School of Design. His 1989 “André the Giant Has a Posse” sticker grew into the global OBEY GIANT campaign — an ongoing experiment in propaganda, obedience, and visual culture. He reached worldwide recognition with the 2008 “Hope” portrait of Barack Obama, now held by the Smithsonian National Portrait Gallery. Across screen prints, stencils, murals, and collage, Fairey channels propaganda aesthetics toward themes of peace, justice, environmentalism, and civil rights. His work is in the collections of the Museum of Modern Art, the Victoria & Albert Museum, and LACMA.