Gauntlet Gallery
What is Shepard Fairey’s piece called “Paix Et Justice Mural”?
Artist Statement
SHEPARD FAIREY "Paix Et Justice Mural Print" Edition of /500 Signed by Artist Sold Unframed 18" x 24" $125 CAD
Summary
Paix Et Justice Mural Print is a 2022 Shepard Fairey screen print, 18 x 24 inches, published by Station 16, signed by the artist and issued in a First Edition of 500, sold unframed at $125 CAD. Its French title translates to "Peace and Justice," and the print derives from a mural, placing it within Fairey's practice of producing editioned prints based on public mural works. The available source description is brief, limited to title, edition size, dimensions, signature, and price, with no extended artist statement on the imagery.
Why It Matters
Paix Et Justice Mural Print connects Fairey's public mural practice to his collectible editions, a recurring pattern in which a wall work is translated into a signed, numbered print that lets collectors own a piece of a larger public statement. Its French title, "Peace and Justice," places it within his enduring peace-and-justice theme, one of the most consistent threads across his career, even though the brief source record offers little beyond the core facts. Published by Station 16, a Montreal-based print house, and priced in Canadian dollars, the edition reflects Fairey's international collaborations and mural work outside the United States. At an edition of 500 it is a mid-to-larger run for his prints, keeping it relatively accessible. The mural-to-print lineage gives it documentary value as a record of a public artwork, appealing to collectors who follow Fairey's street and mural output. Because the source description is sparse, deeper interpretation of the specific imagery is limited, but the work clearly belongs to his justice-themed catalog and his ongoing practice of bridging monumental public art and the editioned print market.
Collector Perspective
This print appeals to collectors who follow Fairey's mural and public-art practice and want an editioned record of a wall work, as well as those building a peace-and-justice thematic grouping. The 18 x 24 format makes it straightforward to frame and display. At 500 signed copies and a $125 CAD price it is moderately accessible. Its Station 16 publication and Canadian pricing also interest collectors of his international collaborations. Given the limited source detail, buyers drawn to it will likely value its mural lineage and thematic message over a documented narrative about the specific image.
Historical Context
Published by Station 16 in June 2022, Paix Et Justice Mural Print derives from a Fairey mural and continues his long practice of converting public wall works into signed editions. Its French title and Canadian pricing reflect his international mural activity and collaborations beyond the United States. Within his arc, it belongs to his sustained peace-and-justice output, sitting among his 2020-2024 civil-rights themed releases, though the brief source record limits how specifically its imagery can be placed.
FAQ
What does the title mean?
"Paix Et Justice" is French for "Peace and Justice." The print is a mural print, meaning it derives from a Shepard Fairey mural, and it fits within his recurring peace-and-justice theme.
What are the size, edition, and price?
Paix Et Justice Mural Print measures 18 x 24 inches, is signed by Shepard Fairey, and was issued in an edition of 500. It was published by Station 16, sold unframed at $125 CAD.
Who published this print?
It was published by Station 16. The Canadian-dollar pricing reflects the publisher's location and Fairey's international mural and collaboration activity outside the United States.
Is this based on a mural?
Yes, the title identifies it as a mural print, indicating it derives from a Shepard Fairey mural and translates a public wall work into a signed, numbered edition for collectors.
Related Works
About the Artist
Shepard Fairey (b. 1970, Charleston, South Carolina) is an American street artist, graphic designer, and activist, and a graduate of the Rhode Island School of Design. His 1989 “André the Giant Has a Posse” sticker grew into the global OBEY GIANT campaign — an ongoing experiment in propaganda, obedience, and visual culture. He reached worldwide recognition with the 2008 “Hope” portrait of Barack Obama, now held by the Smithsonian National Portrait Gallery. Across screen prints, stencils, murals, and collage, Fairey channels propaganda aesthetics toward themes of peace, justice, environmentalism, and civil rights. His work is in the collections of the Museum of Modern Art, the Victoria & Albert Museum, and LACMA.