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What is Shepard Fairey’s piece called “Wave Of Distress (Offset)”?

Year2022
MediumOffset Lithograph
Dimensions36 x 24 in
EditionFirst Edition
PublisherObey Giant
Original release price$35
SeriesOffset Lithograph
EraContemporary Era
Collector4/10
Visual5/10
Historical3/10
ScarcityOpen

Artist Statement

Wave of Distress. 24 x 36 inches. Offset print on thick cream Speckletone paper. Signed by Shepard Fairey. Open edition (unnumbered). $35.

Summary

Wave Of Distress (Offset) is a 2022 Shepard Fairey offset lithograph measuring 24 x 36 inches, printed on thick cream Speckletone paper and published by Obey Giant. It is a signed, open edition that is unnumbered. The source provides limited detail beyond format, medium, dimensions, and the fact that it is signed by Shepard Fairey at an accessible release price. As an open-edition offset print at a larger 24 x 36 inch scale, it represents one of Fairey's more affordable, broadly available formats. The available record does not describe the specific imagery or message in detail.

Why It Matters

Wave Of Distress (Offset) matters mainly as an example of Fairey's accessible, open-edition offset output, which broadens access to his work beyond the higher-priced numbered screen prints. The source describes it as a signed, open edition that is unnumbered, printed offset on cream Speckletone paper at a large 24 x 36 inch size. That combination, a sizable signed print at an entry-level price point, reflects Fairey's long-standing commitment to keeping art affordable and widely available, a value rooted in his street-poster origins. For collectors, the appeal is the signature and scale at low cost rather than scarcity, since open editions are produced without a fixed cap. Because the record gives little detail about the image's subject or message, its broader cultural weight is harder to assess from source alone, and any claims about its meaning should remain cautious. Its place in Fairey's catalog is that of an approachable signed offset, valuable as an accessible entry point and as a companion to the numbered editions from the same 2022 period, rather than as a scarce or conceptually central work.

Collector Perspective

This print suits collectors seeking an affordable, signed Fairey work at a large display size, especially newer collectors building a collection or those who prioritize the artist's signature over edition scarcity. At 24 x 36 inches it offers significant wall presence for an open-edition offset, and the cream Speckletone stock keeps it consistent with Fairey's screen-print aesthetic. Because it is an unnumbered open edition, buyers should view it as accessible rather than rare. It fits well as a budget-friendly anchor in a broader Fairey grouping or alongside the numbered 2022 releases it was issued near. The limited source detail means collectors interested in its specific message may want to seek additional context before display.

Historical Context

Wave Of Distress (Offset) reflects Fairey's continued use of affordable, signed offset lithographs within his contemporary Obey Giant output. Offset open editions have long served as his means of keeping work accessible to a wide audience, echoing the populist, street-level ethos that has defined his career since his early poster campaigns. As a 2022 release on cream Speckletone paper, it sits among that year's varied editions but, per the source, in the lower-priced, unnumbered tier rather than the numbered screen prints. With limited descriptive detail available, its precise thematic placement is uncertain, but its format places it firmly in Fairey's accessible-print tradition rather than his more conceptually elaborate or scarce works.

FAQ

Is Wave Of Distress a numbered edition?

No. According to the source, Wave Of Distress (Offset) is an open edition that is unnumbered. It is signed by Shepard Fairey but, unlike his numbered screen prints, it was not produced in a fixed, numbered quantity.

What is the size and medium of this print?

The source lists it as 24 x 36 inches, an offset print on thick cream Speckletone paper. It was published by Obey Giant in 2022 and is signed by Shepard Fairey.

Is this print signed by the artist?

Yes. The source states the print is signed by Shepard Fairey, which is its key collectible feature given that it is an unnumbered open edition rather than a limited numbered run.

Why is there limited information about this print?

The available record provides format, size, medium, and edition type but little detail on the specific imagery or message. For that reason, descriptions here stay close to confirmed facts, and collectors may wish to seek additional context on the image itself.

Related Works

About the Artist

Shepard Fairey portrait

Shepard Fairey (b. 1970, Charleston, South Carolina) is an American street artist, graphic designer, and activist, and a graduate of the Rhode Island School of Design. His 1989 “André the Giant Has a Posse” sticker grew into the global OBEY GIANT campaign — an ongoing experiment in propaganda, obedience, and visual culture. He reached worldwide recognition with the 2008 “Hope” portrait of Barack Obama, now held by the Smithsonian National Portrait Gallery. Across screen prints, stencils, murals, and collage, Fairey channels propaganda aesthetics toward themes of peace, justice, environmentalism, and civil rights. His work is in the collections of the Museum of Modern Art, the Victoria & Albert Museum, and LACMA.