Gauntlet Gallery
What is Shepard Fairey’s piece called “One Earth (Color)”?
Artist Statement
These "One Earth" prints are based on art I created for my Photo Synthesis show at Fotografiska. If you happen to be in Sweden, my Photo Synthesis show opens at Stockholm Fotografiska from June 14th through October 13th! The Photo Synthesis body of work predominantly combines richly collaged and painted backgrounds with translucent applications of spray paint to create a harmony between the abstract organic, chaotic elements and the more realistic illustrated images. I like the way these prints work both in color and grey/silver tones. "One Earth" refers to the ripped "One Earth" stamp in the lower right of the print and the fact that we only have one earth to live on. I'd rather live here than Mars anyway, so I want to take care of this place. A portion of proceeds from these prints will go to Greenpeace USA to support their efforts to fight environmental destruction. Thanks for caring! -Shepard PRINT DETAILS: One Earth (Color) & One Earth (Silver). 18 x 24 inches. Screen print on thick cream Speckletone paper. Signed by Shepard Fairey in 2023. Numbered edition of 300. Comes with a Digital Certificate of Authenticity provided by Verisart. A limited amount of matching numbered sets will be available for $120. Sold individually for $60.
Summary
One Earth (Color) is a 2024 Shepard Fairey screen print, 18 x 24 inches, printed on thick cream Speckletone paper in a numbered edition of 300, signed by Fairey in 2023. The work is based on art Fairey created for his Photo Synthesis show at Fotografiska, a body of work combining richly collaged and painted backgrounds with translucent spray paint to harmonize abstract, organic elements with realistic illustrated images. The title refers to a ripped One Earth stamp in the lower right of the composition and the idea that we have only one earth to care for. A companion Silver edition was released, and matching numbered sets were offered.
Why It Matters
One Earth connects a collectible print directly to a major Fairey exhibition, his Photo Synthesis show at Fotografiska, giving it exhibition provenance that many editions lack. The source describes the show's signature technique of layering collaged and painted backgrounds with translucent spray paint to balance chaotic organic textures against crisp illustration, and this print carries that aesthetic into an affordable format. The One Earth message, signaled by the ripped stamp motif, ties the visual to Fairey's environmental commitment and his stated preference for caring for this planet rather than looking to Mars. A portion of proceeds supports Greenpeace USA's work against environmental destruction, reinforcing the activist intent. Offered in Color and Silver editions with matching-set availability and an edition of 300, the print rewards collectors who want exhibition-linked work, a distinctive mixed-media look, and a clear environmental statement. For an environmental grouping, One Earth stands out as both a gallery-rooted image and an accessible, authenticated piece documenting Fairey's mid-2020s ecological focus.
Collector Perspective
This print appeals to collectors who value exhibition-linked work, given its basis in the Photo Synthesis show at Fotografiska, and to those drawn to Fairey's environmental messaging. The collaged, spray-painted aesthetic gives it visual depth that distinguishes it from his flatter graphic pieces. Color and Silver colorways plus matching-set availability invite paired display and set collecting. At 18 x 24 inches in an edition of 300, it is an accessible signed and Verisart-authenticated work suited to an environmental wall or a mixed-media-focused collection. The Greenpeace USA tie-in adds a conservation story that resonates with eco-minded buyers seeking a gallery-rooted Fairey piece.
Historical Context
One Earth derives from Fairey's Photo Synthesis exhibition at Fotografiska, situating it within his gallery-show output and his mid-2020s environmental focus. The source notes the Photo Synthesis body of work and a Stockholm Fotografiska run, underscoring its connection to a touring exhibition context. Signed in 2023 and released in 2024 with a Greenpeace USA tie-in, the print belongs to his Environmental period and reflects his recurring practice of translating exhibition imagery into accessible editions. Its mixed-media collage-and-spray approach marks a more painterly direction within his ecological work, distinct from his purely graphic propaganda style.
FAQ
What is One Earth based on?
It is based on art Fairey created for his Photo Synthesis show at Fotografiska. That body of work combines richly collaged and painted backgrounds with translucent spray paint to harmonize abstract organic elements with realistic illustrated images.
What does the title refer to?
The title refers to a ripped One Earth stamp in the lower right of the print and to the idea that we have only one earth to live on. Fairey says he would rather take care of this place than look to Mars.
What is the edition size and medium?
It is a screen print on thick cream Speckletone paper, 18 x 24 inches, in a numbered edition of 300, signed by Fairey in 2023. Color and Silver editions were released, with matching numbered sets available and a Verisart certificate.
Does the print support a cause?
Yes. According to the source, a portion of proceeds goes to Greenpeace USA to support its efforts to fight environmental destruction.
Related Works
About the Artist
Shepard Fairey (b. 1970, Charleston, South Carolina) is an American street artist, graphic designer, and activist, and a graduate of the Rhode Island School of Design. His 1989 “André the Giant Has a Posse” sticker grew into the global OBEY GIANT campaign — an ongoing experiment in propaganda, obedience, and visual culture. He reached worldwide recognition with the 2008 “Hope” portrait of Barack Obama, now held by the Smithsonian National Portrait Gallery. Across screen prints, stencils, murals, and collage, Fairey channels propaganda aesthetics toward themes of peace, justice, environmentalism, and civil rights. His work is in the collections of the Museum of Modern Art, the Victoria & Albert Museum, and LACMA.