Gauntlet Gallery
What is Shepard Fairey’s piece called “Earth's Future Is Our Future”?
Artist Statement
Last week, I was invited back to Paris to mark the ten year anniversary of the Paris Climate Accord and my Earth Crisis globe, which was suspended from the Eiffel Tower during COP21 and to inaugurate the new exhibition at Paris City Hall: "Paris–Belém: 10 Years of Global Actions for the Climate!" This exhibition celebrates a decade of ecological mobilization and pays tribute to all those who act every day in the face of the climate emergency. "Earth's Future is Our Future" is a reminder that protecting the planet means protecting our collective future. Each of us is deeply interconnected and equally impacted by the climate crisis. The distress that environmental destruction creates doesn't affect just one of us; it affects us all. The need for climate action is urgent, and each of us has a role to play. -Shepard PRINT DETAILS: Earth's Future Is Our Future. 18 x 24 inches. Screen print on 80# cream Speckletone paper. Signed by Shepard Fairey. Numbered edition of 400. Comes with a Digital Certificate of Authenticity provided by Verisart. $80.
Summary
Earth's Future Is Our Future is a 2025 screen print by Shepard Fairey, published by Obey Giant in a signed, numbered first edition of 400. It measures 18 x 24 inches on 80# cream Speckletone paper and was issued at $80. Fairey created it around an invitation back to Paris marking the ten-year anniversary of the Paris Climate Accord and his Earth Crisis globe, which was suspended from the Eiffel Tower during COP21, and the inauguration of the Paris City Hall exhibition 'Paris-Belem: 10 Years of Global Actions for the Climate.' The print frames protecting the planet as protecting a shared, interconnected future, with a digital Certificate of Authenticity provided by Verisart.
Why It Matters
This print is tied to a specific climate milestone: the tenth anniversary of the Paris Climate Accord and Fairey's own Earth Crisis globe, which he says was suspended from the Eiffel Tower during the COP21 summit. That direct lineage to a landmark global climate moment gives the work documentary significance within his environmental catalog. Created around his return to Paris and the inauguration of the Paris City Hall exhibition celebrating a decade of ecological mobilization, the print extends a body of work in which Fairey positions himself as a participant in international climate advocacy rather than a distant commentator. Its message, that protecting the planet means protecting our collective future and that everyone is interconnected and equally impacted, distills the urgency he attaches to climate action. For collectors, the connection to COP21 and the Eiffel Tower installation links this editioned print to one of the most recognizable acts of climate-related public art, anchoring it to a verifiable institutional and historical context. It exemplifies how Fairey uses anniversaries and exhibitions to renew attention on long-running causes, making it a meaningful piece for anyone documenting his environmental activism and its institutional reach.
Collector Perspective
This print appeals to collectors focused on Fairey's environmental and climate work and to those who value pieces with a documented institutional connection. Its link to the Paris Climate Accord anniversary, the COP21 Eiffel Tower globe, and the Paris City Hall exhibition gives it provenance appeal for buyers who organize collections around specific events or causes. At 18 x 24 inches with an edition of 400, it is a display-friendly screen print that pairs naturally with his other climate releases. The $80 price and Verisart certificate keep it accessible while signaling its limited, numbered status, making it attractive to collectors building a focused environmental grouping anchored by a recognizable global-policy reference point.
Historical Context
Earth's Future Is Our Future belongs to Fairey's environmental output of the 2020s and is explicitly tied to the ten-year anniversary of the 2015 Paris Climate Accord. The source connects it to his Earth Crisis globe, which he states was suspended from the Eiffel Tower during the COP21 climate summit, and to his return to Paris to inaugurate the Paris City Hall exhibition 'Paris-Belem: 10 Years of Global Actions for the Climate.' This anchors the print to one of his best-known acts of climate-focused public art and to ongoing institutional recognition of that work. As a 2025 Obey Giant screen print, it continues his practice of marking climate milestones with editioned releases, reinforcing themes of interconnection and urgent collective action that run throughout his ecological work.
FAQ
What event is this print connected to?
According to Fairey, he was invited back to Paris to mark the ten-year anniversary of the Paris Climate Accord and his Earth Crisis globe, which was suspended from the Eiffel Tower during COP21. He also inaugurated the Paris City Hall exhibition 'Paris-Belem: 10 Years of Global Actions for the Climate.'
What is the message of the print?
Fairey describes it as a reminder that protecting the planet means protecting our collective future. He emphasizes that each of us is deeply interconnected and equally impacted by the climate crisis, that environmental destruction affects everyone, and that the need for climate action is urgent.
What are the edition details?
It is a screen print on 80# cream Speckletone paper measuring 18 x 24 inches. The source states it is a signed, numbered first edition of 400, published by Obey Giant in 2025 at $80, and it comes with a Digital Certificate of Authenticity provided by Verisart.
Is this part of Fairey's environmental work?
Yes. The print is part of his ongoing environmental output, tied directly to the Paris Climate Accord anniversary and his well-known Earth Crisis globe project. It continues his practice of using climate milestones and exhibitions to renew attention on ecological action.
Related Works
About the Artist
Shepard Fairey (b. 1970, Charleston, South Carolina) is an American street artist, graphic designer, and activist, and a graduate of the Rhode Island School of Design. His 1989 “André the Giant Has a Posse” sticker grew into the global OBEY GIANT campaign — an ongoing experiment in propaganda, obedience, and visual culture. He reached worldwide recognition with the 2008 “Hope” portrait of Barack Obama, now held by the Smithsonian National Portrait Gallery. Across screen prints, stencils, murals, and collage, Fairey channels propaganda aesthetics toward themes of peace, justice, environmentalism, and civil rights. His work is in the collections of the Museum of Modern Art, the Victoria & Albert Museum, and LACMA.