Gauntlet Gallery
What is Shepard Fairey’s piece called “Peace Fingers Sculpture (Gold Edition)”?
Artist Statement
Shepard Fairey Peace Fingers Collectible (Gold), 2024 Cream Debossed Epoxy Resin Custom Printed Box with Lid 12 in (30.48 cm) height Limited Edition of 250
Summary
Peace Fingers Sculpture (Gold Edition) is a 2024 collectible sculpture by Shepard Fairey, published by Beyond The Streets in a limited edition of 250. Made of cream debossed epoxy resin and standing 12 inches tall, it comes with a custom printed box and lid. The work translates Fairey's recurring peace-fingers motif into a three-dimensional object, rendering the raised peace-sign gesture as a tactile resin form rather than a flat print. As a boxed, numbered editioned object it sits in his collectible-sculpture output rather than his paper-based screen-print catalog.
Why It Matters
Peace Fingers Sculpture (Gold Edition) matters as a three-dimensional expression of one of Fairey's most repeated symbols, the peace-fingers gesture, which he has used across numerous prints and editions. Translating a signature graphic motif into a debossed resin object expands the format beyond paper and appeals to collectors who want a sculptural anchor for a Fairey grouping. The Beyond The Streets publishing connection situates it within the broader contemporary street-art-into-gallery ecosystem that institution represents, which can carry meaning for buyers tracking that lineage. At an edition of 250 it is more limited than his typical large screen-print runs, and the custom printed box with lid signals it was conceived as a designed collectible package rather than a loose object. The cream colorway and gold-edition designation place it within a family of variant releases of the same form, giving completist collectors a reason to seek the full set. For a Fairey database, it is a clean example of how his iconography migrates across media into object-based editions in the mid-2020s, and it broadens the catalog beyond two-dimensional works while keeping the recognizable peace motif at its center.
Collector Perspective
This appeals to collectors who want a sculptural object to complement a print-heavy Fairey collection, and to those drawn to his peace iconography in particular. The 12-inch resin form with its custom printed box makes it display-ready as a shelf or pedestal piece, offering a different presentation mode than framed paper. The edition of 250 gives it more scarcity than his standard screen-print runs, which can attract buyers who prioritize limited object editions. The Beyond The Streets association adds context for collectors following that platform's releases. As one of multiple peace-fingers variants, it fits naturally with collectors pursuing the full family of forms and colorways, and its boxed presentation supports both display and careful storage.
Historical Context
The sculpture extends Fairey's long-running peace-fingers motif into object form during his mid-2020s collectible output. Published by Beyond The Streets rather than his own Obey Giant imprint, it reflects his ongoing collaborations with outside platforms that bring street-art figures into gallery and collectible contexts. Within his arc, it represents the continued diversification of his practice beyond posters and screen prints into editioned three-dimensional objects, a direction that complements his consistent thematic focus on peace. The gold-edition designation and cream resin material place it among a set of variant releases of the same form, illustrating how he iterates a single recognizable symbol across colorways and media. It documents the way his graphic language carries into sculpture during this period.
FAQ
What is this object made of?
It is made of cream debossed epoxy resin. The Peace Fingers Collectible (Gold) stands 12 inches (30.48 cm) tall and is presented with a custom printed box and lid, making it a designed collectible package rather than a loose object.
How large is the edition?
It is a limited edition of 250, published by Beyond The Streets in 2024. This is more limited than Fairey's typical large screen-print runs, placing it among his more restricted editioned objects.
Who published this collectible?
It was published by Beyond The Streets in 2024, an outside platform Fairey collaborated with rather than his own Obey Giant imprint.
Is this a print or a sculpture?
It is a sculpture, not a paper print. The work translates Fairey's recurring peace-fingers motif into a three-dimensional debossed resin form, distinguishing it from his screen-print catalog.
Related Works
About the Artist
Shepard Fairey (b. 1970, Charleston, South Carolina) is an American street artist, graphic designer, and activist, and a graduate of the Rhode Island School of Design. His 1989 “André the Giant Has a Posse” sticker grew into the global OBEY GIANT campaign — an ongoing experiment in propaganda, obedience, and visual culture. He reached worldwide recognition with the 2008 “Hope” portrait of Barack Obama, now held by the Smithsonian National Portrait Gallery. Across screen prints, stencils, murals, and collage, Fairey channels propaganda aesthetics toward themes of peace, justice, environmentalism, and civil rights. His work is in the collections of the Museum of Modern Art, the Victoria & Albert Museum, and LACMA.