Gauntlet Gallery
What is Shepard Fairey’s piece called “Beautiful Flower Diamond Spin Painting”?
Artist Statement
Shepard Fairey and Damien Hirst Beautiful Flower Diamond Spin Painting, 2025 TT3-2 Giclée print on paper 103 x 103 cm (framed) $1,750
Summary
Beautiful Flower Diamond Spin Painting (2025) is a Shepard Fairey and Damien Hirst collaboration published by HENI Editions in a first edition of 250. It is a giclee print on paper measuring 103 x 103 cm framed. The square work combines floral and diamond motifs with Hirst's centrifugal spin-painting technique, producing a swirling, decorative composition. Designated TT3-2 within the joint series, it was priced at $1,750. The print blends Fairey's ornamental, nature-inflected imagery with Hirst's chance-driven color abstraction.
Why It Matters
This print contributes the floral and decorative register to the 2025 Fairey/Hirst spin-painting set, pairing nature-and-floral symbolism with Hirst's process-based abstraction. Where Fairey's florals typically appear as controlled ornamental patterning, the spin technique scatters and swirls them, turning a botanical motif into kinetic color. That transformation is the work's appeal: a familiar Fairey decorative vocabulary destabilized by Hirst's method. Published by HENI Editions, it belongs to the blue-chip collaborative edition economy rather than Fairey's grassroots releases, and its first edition of 250 keeps it relatively contained for a giclee. For collectors, the floral subject offers a softer, more design-forward entry into the joint series, complementing the more overtly political dove and justice subjects. It appears to align with Fairey's broader floral and mandala output while gaining significance from the dual authorship. As one of four coordinated spin-painting subjects, it documents the same cross-artist moment, contributing the nature-symbolism strand of the group.
Collector Perspective
This appeals to collectors drawn to Fairey's floral and decorative work and to those building a Fairey/Hirst collaboration grouping. The 103 x 103 cm framed square is a strong decorative statement, and the floral-diamond subject reads as the most design-oriented and least overtly political of the series, widening its interior-design appeal. Buyers who favor Fairey's nature-and-floral motifs gain a high-production crossover edition, while Hirst followers gain a Fairey link. As one of four sibling subjects, it pairs naturally with the dove, justice, and mandala versions. At $1,750 in an edition of 250, it sits in a mid-to-upper giclee tier where authorship and aesthetics outweigh scarcity.
Historical Context
The work belongs to Fairey's contemporary collaborative phase and his ongoing use of floral and ornamental motifs, here recast through Damien Hirst's spin-painting process via HENI Editions. Fairey's florals have long served as decorative counterpoints to his political imagery, and this print folds that vocabulary into a jointly authored series. The TT3-2 designation and parallel 2025 releases (dove/peace, earth/justice, ornate mandala) confirm it as one component of a coordinated set. It reflects Fairey's expanding presence in the publisher-driven edition market, where even his decorative motifs circulate within blue-chip collaborations distinct from his street-rooted output.
FAQ
Who created it and how?
It is a 2025 collaboration between Shepard Fairey and Damien Hirst, published by HENI Editions. It pairs Fairey's floral and diamond motifs with Hirst's spin-painting technique, in which paint is spun outward to form swirling, decorative patterns.
What are the edition and dimensions?
The first edition is limited to 250 giclee prints on paper. Each measures 103 x 103 centimeters framed, a large square format. The published price was $1,750.
What theme does it carry?
The source pairs it with nature and floral symbolism. The floral-diamond subject makes it the most decorative of the series, contrasting with the more politically themed dove and justice versions.
Is it part of a larger group?
Yes. Designated TT3-2, it is one of several 2025 Fairey/Hirst spin-painting subjects from HENI Editions, alongside the dove/peace, earth/justice, and ornate mandala versions.
Related Works
About the Artist
Shepard Fairey (b. 1970, Charleston, South Carolina) is an American street artist, graphic designer, and activist, and a graduate of the Rhode Island School of Design. His 1989 “André the Giant Has a Posse” sticker grew into the global OBEY GIANT campaign — an ongoing experiment in propaganda, obedience, and visual culture. He reached worldwide recognition with the 2008 “Hope” portrait of Barack Obama, now held by the Smithsonian National Portrait Gallery. Across screen prints, stencils, murals, and collage, Fairey channels propaganda aesthetics toward themes of peace, justice, environmentalism, and civil rights. His work is in the collections of the Museum of Modern Art, the Victoria & Albert Museum, and LACMA.