Gauntlet Gallery
What is Shepard Fairey’s piece called “Comandante (Set Of 4)”?
Summary
Comandante (Set Of 4) is a 2002 screen print release by Shepard Fairey, published by Obey Giant in an edition of 200 at 18 x 24 inches, offered as a set of four versions. The source lists four variants (Version 1 through Version 4) and a listed price of $110. No descriptive text accompanies the record, so the imagery and subject are not detailed in the source. As a multi-version screen-print set from Fairey's early-2000s Obey Giant output, it reflects his recurring practice of issuing related works in coordinated color or design variants.
Why It Matters
Because the source carries no description, this entry is interpreted cautiously. What can be said is grounded in the record: it is a 2002 Obey Giant screen print issued as a coordinated set of four versions in an edition of 200, at the 18 x 24 inch format common to Fairey's prints of the period. The set format itself is notable for collectors, since acquiring all four versions creates a unified display group and reflects Fairey's habit of releasing variant editions that reward completist buyers. Without descriptive text, claims about the specific subject, symbolism, or message are deliberately withheld. The work's significance therefore rests on its place within Fairey's early-2000s screen-print production and the collectible appeal of a multi-version set rather than on a documented narrative. Buyers interested in this piece should seek the original imagery to confirm subject matter before relying on thematic interpretation, and the modest edition size keeps it within the limited-but-attainable range of his catalog from this era.
Collector Perspective
This release suits collectors who favor sets and variant editions, since the four versions are designed to be shown together as a cohesive group. At 18 x 24 inches the prints are a standard, frameable size that fits comfortably on most walls and alongside other early-2000s Obey Giant works. The edition of 200 makes it a limited but reasonably accessible target for someone building depth in Fairey's screen-print catalog. Because the source provides no description, a prospective buyer should verify the imagery and condition directly before purchase. It appeals most to completist collectors and those who enjoy displaying coordinated multi-panel groupings.
Historical Context
The set dates to 2002, within Fairey's productive early Obey Giant screen-printing period when he frequently issued works in multiple versions and color variants. The four-version structure reflects a release strategy he used repeatedly across his catalog. Beyond the year, edition size, format, and set composition recorded in the source, the entry offers no descriptive context, so its specific place in his thematic arc cannot be confidently characterized. It is best understood as part of his broad early-2000s Obey Giant production of limited screen prints rather than tied to a documented campaign or subject.
FAQ
What does this release include?
Comandante (Set Of 4) is offered as a set of four versions, listed in the source as Version 1 through Version 4. It is a screen print published by Obey Giant in 2002, measuring 18 x 24 inches, with an edition of 200 and a listed price of $110.
What is the subject of the print?
The source record does not include a description, so the specific subject and imagery are not documented here. We avoid speculating about the depicted figure or symbolism. Collectors should review the original artwork to confirm the subject before relying on any interpretation.
How limited is it?
The print was produced in an edition of 200 at 18 x 24 inches. That places it among Fairey's limited early-2000s screen prints, with the added collectible appeal of being part of a coordinated four-version set.
Related Works
About the Artist
Shepard Fairey (b. 1970, Charleston, South Carolina) is an American street artist, graphic designer, and activist, and a graduate of the Rhode Island School of Design. His 1989 “André the Giant Has a Posse” sticker grew into the global OBEY GIANT campaign — an ongoing experiment in propaganda, obedience, and visual culture. He reached worldwide recognition with the 2008 “Hope” portrait of Barack Obama, now held by the Smithsonian National Portrait Gallery. Across screen prints, stencils, murals, and collage, Fairey channels propaganda aesthetics toward themes of peace, justice, environmentalism, and civil rights. His work is in the collections of the Museum of Modern Art, the Victoria & Albert Museum, and LACMA.