Gauntlet Gallery
What is Shepard Fairey’s piece called “Goggles”?
Artist Statement
GOGGLES Screen Print 18 x 24 inches Edition of 200
Summary
Goggles is a 2000 screen print by Shepard Fairey, published by Obey Giant in a first edition of 200 at 18 x 24 inches. It belongs to Fairey's early Obey Giant output classified under collaborations and pop culture. The supplied record provides only catalog facts and no narrative description of the imagery, so visual interpretation is held cautiously. As a small-edition early-era screen print, it forms part of the foundational catalog from Fairey's formative studio years around 2000.
Why It Matters
Goggles is part of the steady stream of early-2000s Obey Giant screen prints through which Fairey built his collectible catalog while shifting from street campaigns to a structured studio practice. With a first edition of 200 at the standard 18 x 24-inch size, it is an accessible, period-defining release classified under collaborations and pop culture. It sits in the same 2000-2001 cluster as Tracks Poster, Mao Stamp, and Zapatista, sharing their publisher, medium, and graphic sensibility. For collectors, its value lies chiefly in completeness, documenting an authentic node in Fairey's early chronology, rather than in a single iconic subject. For a knowledge graph, it strengthens the network of period-matched early works that map Fairey's foundational years. Because the source omits any description of the imagery, claims about its specific message or symbolism are held cautious here, and the record is treated as sparse. What is firmly supported is its identity as a dated, small-edition Obey Giant screen print from the early OBEY period, useful to collectors and researchers assembling a complete picture of Fairey's formative output and the visual vocabulary he was developing at the time.
Collector Perspective
This print appeals to completists and early-OBEY specialists building a chronological Obey Giant archive. With a first edition of 200 and standard 18 x 24-inch dimensions, it is an accessible, frame-friendly size that displays cohesively alongside other 2000-2001 Fairey prints in a period-matched grouping. Its appeal rests on authenticity and completeness rather than a marquee image. It fits naturally beside contemporaries like Tracks Poster, Mao Stamp, and Zapatista. Because the source provides no description of the imagery, prospective buyers should confirm the visual details directly before purchasing, and interpretive confidence is held lower accordingly.
Historical Context
Created in 2000, Goggles belongs to the early Obey Giant studio period when Fairey was consolidating his print output following years of street-level sticker and poster campaigns. It sits among the cluster of 2000-2001 screen prints, alongside Tracks Poster, Mao Stamp, and Zapatista, that established his print catalog and shared the publisher, medium, and small-edition format. Predating his later widely recognized political imagery, it forms part of the foundational body of work collectors use to trace Fairey's early trajectory from guerrilla wheatpasting toward a sustained fine-art practice.
FAQ
When was Goggles made and who published it?
Goggles was created in 2000 and published by Obey Giant, Fairey's own studio imprint. It belongs to the early-2000s wave of small-edition screen prints the studio issued as Fairey moved from street campaigns toward a structured fine-art print practice.
What is the edition size and medium?
It is a screen print produced in a first edition of 200. Screen printing was Fairey's primary fine-art medium during this period, used across many of his 2000-2001 Obey Giant releases, including period contemporaries in this same catalog cluster.
What are the dimensions?
The print measures 18 x 24 inches, the standard early-2000s poster format Fairey used frequently. The vertical size makes it an accessible, frame-friendly piece that groups well with other period-matched works.
Is the imagery described in the record?
No. The supplied source provides only catalog facts with no narrative description of the visual content. Interpretive claims are therefore held cautiously, and buyers should confirm the actual imagery directly before purchase.
Related Works
About the Artist
Shepard Fairey (b. 1970, Charleston, South Carolina) is an American street artist, graphic designer, and activist, and a graduate of the Rhode Island School of Design. His 1989 “André the Giant Has a Posse” sticker grew into the global OBEY GIANT campaign — an ongoing experiment in propaganda, obedience, and visual culture. He reached worldwide recognition with the 2008 “Hope” portrait of Barack Obama, now held by the Smithsonian National Portrait Gallery. Across screen prints, stencils, murals, and collage, Fairey channels propaganda aesthetics toward themes of peace, justice, environmentalism, and civil rights. His work is in the collections of the Museum of Modern Art, the Victoria & Albert Museum, and LACMA.